How To Survive Writing The Unreliable Narrator #MondayBlogs #AmWriting #Writers


Not all fictional narrators are trustworthy. Some have other plans about how a story should be told. These untrustworthy fictional souls use manipulations, omissions and mischief to try and misdirect their reader.

Last year I wrote a draft with an unreliable narrator and I had so much literary fun. However, I came to realise that working with these characters is an experience and there are pitfalls. There is potential for you to enjoy yourself a little too much and hours later have to lie down in a darkened room, with a cold compress on your forehead, listening to soothing whale music.

There is also the potential for what I like to call the, ‘unreliable narrator hangover,’ which I will explain later. Basically you need to know how to survive working with the untrustworthy imaginary folk.

David Lodge, in his book, The Art of Fiction, describes the purpose of the unreliable narrator:

‘The point of using an unreliable narrator is indeed to reveal an interesting gap between appearance and reality, and to show how human beings distort or conceal the latter. This need not be a conscious, or mischievous, intention on their part.’

The unreliable narrator is always written in the first person.

For us, as writers, the ultimate goal is to create a likeable character, who the reader can empathise with, whilst at the same time getting the character to LIE to them. *Squeal* Oh my goodness – literary fun doesn’t get much better than this!

*Wicked smile and whispers, ‘liar liar pants on fire!‘*

I reckon all the famous novelists whispered that whilst thinking about unreliable narrators – sigh!

So, how do you survive writing the unreliable narrator?

  • Don’t get carried away with fooling your reader. They like a few subtle hints that they are being deceived. This is the golden rule with unreliable narrators. Readers either want to suspect a character is pulling the wool over their eyes or they want to flick back through the novel, once finished, to acknowledge there was trickery taking place. Don’t make a fool of your reader.
  • There must be a reason why your narrator is unreliable. Something is fuelling their behaviour. What are they hiding? Who are they protecting? What do they not want you to see? What are they going through to make them behave in this way?
  • Remember that sometimes we trick ourselves. We curate our reality in such a way that we hide all the stuff we don’t want to face up to. This means you can have an unreliable narrator who is quite simply trying to deceive themselves. Not all unreliable narrators are evil.
  • Work hard to create a likeable character. This will help pave the way for deception. Sprinkle in some coolness and add a teaspoon of vulnerability!
  • Make sure you keep track of the deception with a good plot plan. Once you start chanting, ‘liar liar pants on fire’ at your laptop you can whip up a dangerous concoction of writing excitement and mischief euphoria. This leads to you straying from the plot and getting carried away. Based on experience it’s quite difficult to stop yourself when you are in the ‘deception zone.’
  • Once you have finished writing a story featuring an unreliable narrator have a good break from writing. The reason I say this is the ‘unreliable narrator hangover’ means you will excitedly rush into creating another story WITHOUT an unreliable narrator and because your writing brain is geared up for deception, you will unconsciously start weaving in some LIES! These characters are powerful fictional beings and they will get inside your mind.

Are you a fan of unreliable narrators? I love this article from author Sophie Hannah, titled ‘The Most Unreliable Narrators,’ She says:

‘I generally like, and side with, unreliable narrators. Why should they tell us everything, in a straightforward manner? What have we done to earn that privilege? By the end of the novel, when they’ve decided they trust us because we’ve stuck with them for so long, that’s usually when they finally give up their secrets, and we should consider ourselves lucky to be confided in even at that point.’

Have fun out there!

Photo by Cristian Newman on Unsplash

Posted by

Lucy Mitchell lives in South Wales with her husband, her two teenage daughters, a giant labrador and a gang of unruly cats. Lucy is the author of the award winning blog, BlondeWriteMore and was a Featured Romance Author on Wattpad. When she’s not working or writing, Lucy can be found listening to audiobooks in a muddy field with her dog or sat outside her local pub in the sunshine enjoying a glass of wine. Her debut novel Instructions Falling In Love Again is OUT now and already pulling in some fabulous reviews ❤️

8 thoughts on “How To Survive Writing The Unreliable Narrator #MondayBlogs #AmWriting #Writers

  1. Interesting article. Although I believe all first person narrators are unreliable to a greater or lesser extent. The trick is in how to uncover their bias/lies.
    My trilogy rests on the idea that Jane Eyre is unreliable because she’s in love with Rochester, so she’s unable to see or describe the real villain… that’s up to the discerning reader.

  2. This is a great topic, Lucy. So timely; hasn’t there been, for a lack of better word, a rash of books in the last few years with unreliable narrators (I don’t typically read much modern popular lit . . . but I’m thinking The Girl on the Train, The Woman in the Window, and that stuff). I think it’s great how you come at this from the author’s angle, not the reader’s. Bravo for telling us not to go overboard (I tend to beat readers about the head at times, I think, with a ‘message’). Thanks for schoolin’ me (and others)! 🙂
    As to the literary discussion . . . What’s that first line from one of Vonnegut’s novels; “all of this is true, more or less”? (And, no, it’s not the Donald Trump story. Then it would be “all of this is true and great and there’s no collusion whatsoever, trust me.”) I LOVE the concept (and sometimes even the execution) of an unreliable narrator! I’ve experimented with this over the years in my writing, for sure, never really calling it that. Faulkner, among many others (like Luccia mentions above; how ‘reliable’ is Jane really, as a narrator? she does have her biases like anyone else) used that; e.g., in The Sound and the Fury, Benjy narrates quite a bit, including the opening to the novel (if memory serves), and Benjy has what would probably today considered somewhere on the end of the autism spectrum where a person needs continual supervision), not even to mention the arsehole Jason or troubled (and ultimately lost to suicide) Quentin.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.