Author Interviews @Sam_Carrington1 #Author #WeekendBlogShare

author-interviews-2

Welcome to my weekly blog series – Author Interviews. 

I love this series!  Saturdays got a LOT better for me once I started interviewing some interesting and inspirational authors, over a virtual cuppa and biscuit.

This series is all about spreading writer love!  It is about sharing literary journeys, writer learnings and author experiences. Speaking of sharing, this week I found a great quote which sums up what I am trying to do, on a Saturday, in my tiny blonde corner of the World Wide Web.

“Authors have to help each other out. It isn’t a competition; we’re all holding hands to cross the street here.”
― Marie Krepps

This week I am bubbling with literary excitement, as I am interviewing thriller author Sam Carrington!  I have just read the prologue of her book Saving Sophie and I think I am going to have to clear my hectic social schedule.

I ADORE reading thrillers. As a literary thrill seeker I am looking for authors to take me on a tense and uncomfortable book journey. I love plot twists, scary feelings and the book hangover you get from a good psychological thriller. After a couple of days the book is usually still messing with my mind, I will be getting flashbacks from key scenes, dreaming about the characters and the literary tension created by the thriller won’t have left me. Yum!

So let me crack on with this interview. Please welcome Sam Carrington! 

Hey Sam, please have a seat..

Tell my readers about yourself and the books you have written.

I live in Devon with my husband and three children. After working for the NHS for fifteen years, during which time I qualified as a nurse, I took a psychology degree and then decided I wanted a change of career. I went on to work for the prison service as an Offending Behaviour Programme Facilitator. My experiences within this field inspired my writing. After my dad died I re-evaluated things and I left the service to spend time with my family and to follow my dream of becoming a novelist. SAVING SOPHIE is my debut psychological thriller about a broken family, love, lies and obsession – and one tragic night that changes everything.

Mmmm.. that sounds right up my reading alley – love, lies and obsession! Sigh..

When did you write your current book? 

The very early stages of writing Saving Sophie began in December 2014 with the novel being completed in the July of 2015.

Why did you become a writer? 

I think it was always in the back of my mind as something I’d love to do. It was a very romantic notion to be able to write full-time and have a long, successful career making things up! In 2013 the opportunity to actually do something about it came about – so I ‘jumped ship’, leaving my job to pursue the dream.

What writing issues did you encounter along the way and how did you overcome them?

Trying to get my family on board with my writing being a career, not just a hobby was an initial problem. When you’re spending days and days at a laptop with no financial gain, things can seem a bit pointless to others! Having time to write was also an issue at times – being at home, therefore visible to everyone (and at everyone’s beck and call) was frustrating. To get around this I began telling people when I would be writing and in that time frame I wasn’t to be disturbed. I can’t say it always worked, and until the book was actually published I wasn’t validated as an author!

Did you go through any bad writing patches and what kept you going?

With my first attempt at a novel I did have weeks where I didn’t write at all. I remember one of those gaps being because I was away on holiday and another because I’d become obsessed with watching the Oscar Pistorius trial online! It made getting back into the swing of the story more difficult and obviously put my writing schedule back. I was part of an online writing group, though, so had a lot of support and encouragement to keep plodding away at the manuscript. There were times when I just had to be strict with myself and make myself sit down and write. The end goal of a completed 80k manuscript was one that kept me going. And coffee. A lot of coffee.

Are you a plotter or a ‘just write / see what happens?”

I’m a plotter. I begin with writing a synopsis and this acts as an initial plan. I will expand on this and add subplots so that it’s more detailed. I also jot down roughly what I need in each chapter – although I might only work on five or so chapters ahead at any one time.

What is the best thing about being a writer?

  • Lying for a living.
  • No, seriously, being able to write a story that others will read and hopefully enjoy is a privilege.

What is the worst thing about being a writer?

  • Feelings of self-doubt is possibly the worst.
  • Oh, and the other, more mundane things that come with the writing – like admin. Yuk!

Have you ever considered quitting?

There comes a time around 30k into my novels that I think I can’t do it. After I get over this ‘hump’ all is fine.

What does a typical writing day look like? 

I try to get up between 6 and 7 a.m. and the first thing I need is coffee. Then I fire up the laptop and trawl through Facebook and Twitter while eating breakfast, replying to messages, tweeting and retweeting.

*Squeal* I am loving your social media breakfast!  I must try this. 

After this I might write a page or so on my current work-in-progress, but because I’m an edit-as-you-go writer I’ll go back over it. Sometimes I might even manage a whole chapter before reading back through it and tweaking. Although this makes writing a slower process, it does make editing quicker when the first draft of the novel is complete.
I have a few coffee and snack breaks and I’ll also stop writing around 2 p.m. to take the dogs for a walk.
I’ll either carry on writing when home, or do other writing-related things, like blog posts or research. I don’t tend to write in the evenings unless I’m nearing a deadline. Likewise, I don’t generally write at the weekends, spending time with the family instead. So, I’m afraid I don’t head the ‘write every day’ advice!

How do you go about researching your book? 

For SAVING SOPHIE there were a few things I needed to know prior to writing – such as how agoraphobia affects sufferers, and I scoured the internet for information. However, a lot of research I do as I go along. There have been occasions when I’ve stopped writing to look something up, but I’m now trying to train myself to highlight it to check later, and keep writing. The flow is easily disrupted if you keep stopping to check facts.

What have been your 3 biggest writing learnings?

  • You need to have bucket-loads of patience.
  • You need perseverance and the ability to grow thick skin.
  • You need a fabulous support network to help get you through the more challenging times of being a writer, and to share in the good times.

Do you have any advice for budding authors?

  • There is SO much advice! Maybe my advice is to limit taking every bit you hear on board – it can become overwhelming and might actually hinder your creativity.
  • I would say though – don’t leave big gaps between writing – keep the flow by trying to write regularly. I don’t write every day, but wouldn’t leave more than a few days between writing sessions now. (After learning the hard way that it’s difficult to pick up the pace if you’ve left your characters alone for too long).

Do you suffer from writer’s block and if so how do you overcome?

I do have moments of being ‘stuck’. I wouldn’t say it’s writer’s block though – just a part in the story where I’m lost and don’t know where I’m going. But I go back to my plan (synopsis) to see where I should be going, or, do some bullet points of things that need to be covered in the next chapter and start there.

Did you ever think about your next book whilst writing? 

I hadn’t until I was partway through writing my second novel (to be published next September). For some reason, the idea for novel three kept popping into my mind. I made notes so that I wouldn’t forget my ideas, and once I’d done that I could focus on what I was writing for book 2.

What do you wear to write? 

Right now I’m in my PJs…
There are days when I begin writing as soon as I get up, so I might make it until lunch time before remembering I haven’t showered and I’m still in them! (Delightful, eh?) Mostly though I just wear jeans and a shirt/jumper.
How can my readers read your books? 

The ebook of Saving Sophie is widely available now – from Amazon, Kobo, iTunes, Google Play, etc The paperback is out on 15th December and is available for pre-order from Amazon and can be bought online from many retailers. It will also be in supermarkets from the 15th December as well as some WHSmiths and Waterstones stores.

 

Oh my days – I enjoyed that! Thank you so much Sam. 

 

This is what I am taking from this fab interview:

  • Trying to get loved ones to support a writing passion is a challenge. I can totally relate to this. 
  • I have found that my ‘book writing hump’ is around 40k. Interesting how you have your ‘hump’ at around 30k. I forgot to ask whether you are like me and go a little strange during the ‘hump?’ All I can say is thank goodness for supportive writer friends and patient loved ones during the ‘book writing hump!’
  • I think you raised a good point about not disrupting the writing flow. 
  • I am loving the PJ look and your honesty about finding yourself still in PJs at lunch. 
  • I see you have a blog and you are about to go on a blog tour. I have added a link here.

Ok Sam, I need to make a start on this wonderful book of yours…so if you can show yourself out🙂

If you would like to join me in my red chair please get in touch. 

Next week Allie Potts joins me. 

photo credit: <a href=”http://www.flickr.com/photos/79577679@N00/5448848999″>the chair in the attic</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”https://creativecommons.org/licenses/by-nc-nd/2.0/”>(license)</a&gt;

Author Interviews – Siân Evans #QueenBees #SianEvans #Author

author-interviews-2

Welcome to my weekly blog series – Author Interviews.

Every Saturday, here on my blog, I get to interview an amazing and inspirational author over a virtual cup of tea and a virtual biscuit. The author tells me all about their literary journey, the obstacles they have overcome whilst writing their books and their literary motivations. These interviews give me a fascinating glimpse into the writing life of an author and they also give me some valuable writing learnings and tips.

This week I am bubbling with literary excitement because one of my mother’s favourite authors is sat in my red chair. When I informed my mother that I had managed to persuade Siân Evans, author and cultural historian, to be interviewed on my blog,  I had to hold the phone away from my ear. Sigh!

Siân’s latest book Queen Bees, is a story about six extraordinary hostesses who shaped British society in the inter-war years.  This book was devoured by my mother and thoroughly enjoyed by my daughter’s Godmother (who helped me get in touch with Siân). Any author who manages to please these two tough readers is amazing in my eyes.

Queen Bees has received dazzling book review headlines like:

‘ENTERTAINING’ The Times

‘A FASCINATING ACCOUNT’ The Sunday Times

‘GLORIOUSLY GOSSIPY’ Red Magazine

‘ENORMOUS FUN’ Observer

This book is now on my ‘To Be Read’ reading pile and I can’t wait to delve into a world of posh tiaras, glittering social events and society hostesses.

So please welcome Siân Evans! 

Tell my readers all about yourself the books you have written..

I live in suburban south-west London, and home is a 1920s semi, which is stuffed with battered old books and Art Deco ceramics of dubious merit. I’m originally from Cardiff, studied at Manchester Polytechnic then the Royal College of Art in London, then went to Tokyo University for 2 years.

I have always been fascinated by the social and cultural history of the late nineteenth and early twentieth centuries. I started researching the objects of that era through the history of design, then broadened my scope to the culture of the era, and am now particularly interested in the people of the times – so I have gone through the ‘what’, to the ‘how’, and am now interested in the ‘who’ and ‘why’.

I’ve published 14 books so far; the first one, In the Oriental Style, was published by Thames & Hudson in 1991. My most recent books include Life Below Stairs in the Victorian and Edwardian Country House; The Manor Reborn; Pattern Design; and Mrs Ronnie: the Society Hostess who collected Kings. The latest one is Queen Bees: Six Brilliant and Extraordinary Society Hostesses between the Wars, which was published on 8 September 2016 by Two Roads, part of Hodder. It’s a group biography about 3 American and 3 British women, all formidable personalities, who clawed their way to social influence in the Twenties and Thirties.

When did you write your current book? 

I was commissioned to write Queen Bees in December 2014, and it is about 105,000 words long. It’s a complex subject which covers a lot of ground, so the pace of work was pretty demanding. I delivered the manuscript in January 2016, and then over the following 5 months I cleared permissions for quotations etc, gave the text a spot of buffing and polishing, and once we got to proof stage, I compiled the index. A factual book without a decent index is just annoying…

Why did you become a writer? 

I learned to read quite early, and was always a very keen reader, ploughing through anything I could find, from old copies of Punch to the backs of cereal packets. I remember hearing on the news that Enid Blyton had died, and being distraught that the supply of Famous Five books was now about to dry up. I always loved writing stories and essays for school. Then when I was 10, one of my poems was published in Pictorial Knowledge, a rather worthy children’s magazine. I was amazed and thrilled to see my name in print, and still am. So I always wanted to become a writer, although it took me quite some time as an adult to find a way to make it happen, like most authors.

What writing issues did you encounter along the way and how did you overcome them?

It is staggering how the practical business of writing has changed in my lifetime. When I started writing seriously in the mid-1980s, such as freelance articles for magazines etc, the most sophisticated piece of kit generally available to would-be writers was an electric typewriter. I used the money from my first book to buy my first PC (Personal Computer) in 1991; it cost over £1,000 including a printer, and it was slow, cumbersome and not very bright, but I wrote my second book on it, and I thought it was ‘cutting edge’! By comparison, the technology available nowadays to ahttps://www.apple.com/uk/nyone researching and writing is extraordinary – and of course, now there is the internet, which has revolutionised the acquisition and spread of knowledge. My first 3 books were largely researched in person in libraries and archives, a time-consuming process.

Did you go through any bad writing patches and what kept you going?

My first 4 books were researched and written while I was working fulltime in London; mostly as a press officer firstly for the Design Museum, then the V&A and finally the National Trust. So that could be quite demanding – holding down a job, then writing in the evenings and at weekends. But in 2006, the NT moved its head office from London to Swindon, and that decision presented me with one of those life-changing opportunities. I figured that if I didn’t try to make it as a writer, I’d never know. Working on the principle that you most regret the things you didn’t do, I took the redundancy that was on offer to those employees who didn’t want to move to Wiltshire. This allowed me to stay in London, but also bought me time to get established as a writer, and I got by initially role by various freelance jobs. It was a gamble, and I wasn’t sure if I could make a living at it, and I suppose I am still not convinced! But I don’t regret that decision ten years ago for a moment, and feel I was very lucky to have such a chance.

Are you a plotter or a ‘just write / see what happens?”

Both, in a way. I write non-fiction, so I create a synopsis and a proposed structure for each of the books I write, and I get commissioned by publishers to proceed on that basis. So I start off with a ‘scaffold’ around which I build the text, though of course that can change shape as the work progresses.

However, I also constantly doodle around with ideas and themes. Often I start by just hand-writing words, or phrases, or thoughts, or references on sheets of A4, and I shuffle a lot of paper. I collect images, and photos, and make a kind of ‘mood board’ which I find helps the imagination. I also try to listen to music from the era and country that I am writing about…so Duke Ellington, Marlene Dietrich or Noel Coward will be burbling away in the background while I am still at the research stage.

Yes, I am a great believer in ‘just writing and see what happens’…in my experience you have to treat writing a bit like physical exercise, you get creaky if you don’t do it frequently. In a way it doesn’t matter what you write, it could be a damn fine e-mail to an old friend, or a diary, or an account of a conversation overheard on the bus – write it down, and then buff and polish it to be as good as you can make it. It’s all practise.

What is the best thing about being a writer?

The infinite possibilities.

What is the worst thing about being a writer?

The infinite possibilities! Seriously, it can be hard to focus. And of course writing is a largely solitary pursuit, so you have to guard against getting too isolated, and make sure you have a social life too. Over the last 8 weeks I have appeared at 7 literary festivals or events in connection with the launch of Queen Bees. It is ironic that after 18 months of beavering away quietly in libraries, archives and at my kitchen table, I am suddenly entertaining audiences of curious, committed and often avid readers. I’m very happy talking to the public, and I enjoy being interviewed, but it doesn’t suit every author, many of whom tend to be rather more introverted in character.

Have you ever considered quitting?

There is a wonderful Posy Simmonds cartoon which appeared in the Guardian years ago, in which a rumpled-looking, despairing woman in a dressing gown is sitting at a laptop surrounded by discarded sheets of paper, talking to a mild-looking chap with glasses, who is carrying bulging supermarket carrier bags. In the caption, she is saying something like “…and of course, it’s not like anyone is ever going to read the bloody thing….”  We’ve all been there. Yes I have sometimes got totally stuck and fed-up, but then I go off and do something practical like have a swim, or do some savage pruning in the garden. Something happens while you are away from the problem, and you find a way to tackle it differently. Good friends and family are also invaluable when you hit the buffers.

What does a typical writing day look like? 

Depends what stage I am at with a particular project. If I am researching in London, I might be holed up in the wonderful British Library, reading through books or magazines of the era, or transcribing letters etc. I might be in an archive in an unfamiliar place – I had a terrific time ploughing through the Scottish National Brewing Archives records in Glasgow University, a lot more fun than it sounds, and I was fascinated by the Royal Archives in Windsor, where I sat and read the hand-written personal diaries of King George V and Queen Mary. Or I might be ‘in the field’ visiting somewhere relevant to my research, such as a historic house, or an overgrown graveyard, taking photos and making notes.

If I am at the writing stage I sit at my dining table, with a view of the garden, and something instrumental burbling away on the CD player. I read over what I wrote last time, and make a ‘to do’ list, which I never completely finish, but it helps decide what needs doing next. I try to limit looking at phones and e-mails till I have a break for tea or coffee; as much as I love being in contact with friends and family, I could spend all day sending lengthy e-mails or browsing news websites. And then, I get writing. When it is going well, you get what a friend calls ‘that warm bath moment’. If I get stuck, I’ll take a break, as above.

I try to take breaks every 90 minutes or so, to stretch – writing is a sedentary pursuit so you have to look after your back, and it is really important to get physical exercise too, so I often factor in a walk. I tend to work either morning and evening, or afternoon and evening so I can get some time away from whatever I am working on. Of course, when I am up against a deadline I can be working 12 or 14 hours a day, and normal life is suspended. That’s when I turn into the dishevelled lady writer in the Posy Simmonds cartoon…

How do you go about researching your book? 

I still read avidly; most of what I write is historical and factual, so I rely on contemporary accounts, such as diaries and letters, or newspapers and magazines of the time. Increasingly I am coming across sound archives which are helpful too – not only Pathé or BBC recordings, but also ad hoc interviews conducted in the 1970s or 1980s by volunteers quizzing ordinary people who witnessed extraordinary events.

Early film footage and photos are invaluable too – many of these can now be accessed on-line. I try to watch movies from the era, and read the plays and novels that were written around the time. I mentioned collecting images; they not only inform what I am writing, but are useful as a ‘wishlist’ to hand on to picture researchers once the book is almost finished.

I compile 2 bibliographies as I go along – the first lists books or resources I want to read or access, and the second lists those sources once I have used them.

It is helpful to keep accurate records of where you found a particularly juicy quote or a wonderful image – just add the reference below that quote all through the text, and edit it out in the final version. It will save hours of frustration if you need to include that image, or get permission to reproduce the quote in your book.

You have to be wary about copyright issues; you can quote the title of a song or poem without infringing copyright, but beware of quoting from song lyrics or chunks of the poem. If the work is still in copyright, you need to get permission from the copyright owner, and publishers of poetry and song lyrics often charge large sums for reproduction.

What have been your 3 biggest writing learnings?

  • Find a subject, field, theme or person that fascinates you. You will be investing a lot of your time and energy in writing about it or them, so be sure you genuinely want to know more, and that you want to convey what you know to your readers. It may not be easy to write, but it should ultimately be rewarding.
  • Be aware that you might not always like the people you are writing about, but there is also a great deal of fun to be had in writing about villains!
  • There is a reason why publishers impose deadlines – it is so they can rest your manuscript away from you and turn it into a book, which is what they are in business to do. If they don’t snatch the text from your hands, you could spend decades fiddling with a manuscript and never actually deliver. So, meet those deadlines, and don’t forget, they will let you buff and polish it further once they have had a look.

Do you have any advice for budding authors?

  • People love stories. If you can tell a great tale, you will always find a receptive audience, whether you are writing comedy sketches or
  • Follow your hunches; you gradually develop an instinct for a rattling good yarn waiting to be told.
  • Always have a notebook to hand, or a smart phone – it is remarkable what ideas come to you while you are thinking of something else. Keep all your old notebooks and read through them when you have a chance.
  • When you get published, don’t forget to register your book for Public Lending Rights – it is easy to do online, and then every time a library-goer takes out a copy of your book, you will get a small payment, which is sent to you automatically once a year, and can really add up.

Do you suffer from writer’s block and if so how do you overcome?

Occasionally – see above. But I rarely see it as a problem, more as a natural ‘down time’. And I find that being physically active in other ways allows your mind to come up with a solution.

Did you ever think about your next book whilst writing? 

Almost always, as working on one book often triggers my ideas for the next one. I discuss the ideas with my agent, then if she thinks it’s viable I put together a proposal, and she approaches publishers who might be interested in commissioning me.

What do you wear to write? 

In winter, I can get very cold while sitting and writing, so I tend to go for warm and comfortable clothes such as fur-lined boots, stretchy leggings, long jumpers and scarves. Fingerless mittens when it’s really chilly, a hot water-bottle on the lap, rug over the knees, the works. I also have two enormous woolly ‘writing sweaters’, my favourites, hand-knitted by my mum, one of which I will wear on top of whatever else I have on. Summer is easier, whatever is cool and comfortable, though you have to beware of fierce air conditioning in the reading rooms of the British Library, so I usually take a cardigan or big shawl with me, even on hot days.

How can my readers read your books? 

I’m a great believer in public libraries, so would encourage your readers to support their local branches! But you can also find my books ‘in all good bookshops’, as they say, such as the many independents in this country, and of course in the big chains such as Waterstone’s.

Amazon provide a very comprehensive back-catalogue of current publications, e-books and second-hand copies too, and it’s easy to see what titles are available by typing ‘Sian Evans’ into the books section of their website. They also carry reviews by readers as well as press cuttings, which make interesting reading.

Incidentally, Queen Bees is also available as an audio book, and you can hear a sample from it on the relevant Amazon page, read by the excellent actress who plays Linda Snell in The Archers. Perfect casting….and I like to think it’s what those Queen Bees would have wanted.

Siân – what a fabulous interview!  Thank you so much.

Some points that I am taking from this:

  • I bet it was fab seeing your name in print at 10 years of age. That is serious dream making stuff for a 10-year-old!
  • The Posy Simmonds cartoon made me smile. I think I may have muttered something similar tonight whilst wrestling with my second draft. 
  • I need to enjoy myself and write about villains. 
  • I need to invest in some ‘writing sweaters!’
  • It was really interesting to understand the research process of a non fiction author. 
  • I love how you view Writer’s Block as simply ‘natural down time’ and you try to do something practical to get the mind working again. Great tip. 

It has been a pleasure to interview you Siân – thanks🙂

For other amazing author interviews please click here. 

If you would like to be interviewed as part of this popular series please get in touch with me.

These interviews are all about giving something back to the writing community which I think is really important for us all, no matter what we have achieved. 

Have a fabulous day!

photo credit: <a href=”http://www.flickr.com/photos/79577679@N00/5448848999″>the chair in the attic</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”https://creativecommons.org/licenses/by-nc-nd/2.0/”>(license)</a&gt;

Author Interviews John W. Howell @HowellWave #Writer #WeekendBlogShare

 

author-interviews-2

Welcome to my weekly blog series – Author Interviews. 

I love Saturdays because I get to interview an inspirational author and talk about being a writer. I delve into their writing life, find out about the obstacles they have overcome and their motivations for writing their books. Sometimes we have a giggle and sometimes they leave me speechless (usually mid-biscuit dunk).

Today I am bubbling with literary excitement as author and blogger John W. Howell has agreed to let me interview him. John is the author of the John Cannon Thriller Trilogy and he occasionally pops by my blog. He always makes me smile with his comments so I am really excited to interview him.

Hi John! Welcome to my blog. Please have a seat!

Tell my readers about yourself and the book / books you have written

I was a prisoner of organized commerce for over forty years. I finally broke free and began writing full-time in 2012. Since that time, I have published three books, My GRL, His Revenge and Our Justice which cover the John J. Cannon thriller trilogy. I am putting the final edits on my fourth book titled Circumstances of Childhood.

I did write a complete manuscript several years ago titled Next Door which was so bad it now holds my laundry room door open.

What a great idea for making use of bad drafts!  I could hold quite a few doors open in my house with some of my stinky drafts. Carry on John. 

I live on a barrier island in the Gulf of Mexico off the southern coast of Texas with my wife and spoiled rescue pets.

When did you write your first book?

My first published book My GRL I began in the spring of 2012.

How long did it take to write your first book?

I finished the book in about 120 days. I had about 97,000 words, and the final editing trimmed 5000 out.

What was your motivation to write your first book?

My sister and I were visiting the Aircraft Carrier Lexington moored in Corpus Christi. Our father had served on her as a naval aviator during World War II, and we wanted to see where he served. While standing on the flight deck, I was struck by the fact that the ship was unprotected in any way. It then occurred to me that this symbol of American strength was vulnerable to terrorist attack. When I got home, I started thinking of how to attack the Lexington as well as how to defend her. The story found in My GRL is not about attacking the Lexington, but such a scenario formed the basis for the story which is about an American symbol being attacked.

What writing issues did you encounter along the way and how did you overcome them?

My issues were pretty common for beginning authors. I did not know simple stuff like a manuscript has only one space after a period. On the sophisticated side, I had an idea of a plot but not any practice in timing, character development, and continuity. Finally, I had the worst dialog the world has ever seen. The way I overcame all those things was to read up on proper formatting, story design, character development, and dialog. Then I went to work writing not only the manuscript but also short stories. I made it a point (and still do) to write at least a thousand words a day.

Did you go through any bad writing patches during writing your book – what kept you going?

I did not have any bad patches. In fact, I don’t believe in some of the writer pitfalls like “writer’s block.” I do understand that the brain can become fatigued and when it happens it is a signal for a break. Most of the times when I have become stumped I generally write a short story or take a walk. The change of scene both mentally and physically resolves the problem.

Are you a plotter or do you just write / see what happens?

I write to see what happens. I have a general plot that I put on my iPhone notes section, but then I start the story and see where it goes.

What is the best thing about being a writer?

The best thing about being a writer is the individual accomplishment that comes from doing a great job on a story.

What is the worst thing about being a writer?

The worst part of being a writer is the constant self-doubt regarding the quality of one’s work. Since it is such a solitary vocation, there’s only one person to blame if the book does not meet the standard of good writing.

Have you ever considered quitting writing, and if so how have you worked through this?

I never considered quitting, but I have spent some long sleepless nights contemplating why I ever got into writing in the first place. This self-assessment usually comes just after a book is published. I think it is part of the let-down that occurs once there is no longer an opportunity to change what has been written. It is the realization that all you have to offer is now going to be judged. The only way to overcome these feelings is to trust that the dedication and hard work put into a book will be recognized by those kind enough to read it. (A deep breath helps as well.)

Lovely answer John! I love the bit about trusting the dedication and the hard work. 

What does a typical writing day look like for you?

I get up each morning at 6:45 since my boxers have their routine. Once the dogs are fed and watered, I take a coffee and do e-mails. The next dog event is a walk on the beach and this we do rain or shine. Upon return, I begin my writing for the day. I usually work until lunch at 1:00. After lunch, I finish the e-mails and social media work and any household chores needed. At 4:00 (notice how exact the puppies have me scheduled) the dogs need their afternoon walk. We don’t do beach but do walk to the top of the boardwalk which overlooks the Gulf. After the afternoon walk, it is time shower and then to prepare dinner which I normally do. Post dinner I finalize all the e-mails and social media for the day. My wife and I watch one hour of TV which we have prerecorded. We both then begin reading until it is time to sleep.

Do you suffer from procrastination and if so how do you handle it?

I don’t suffer from procrastination but have had intermittent bouts. I usually have a daily plan on what I want to accomplish and don’t quit until I do what I have planned.

Which is more important – plot or characters and why?

It is difficult to say which is more important but I will go with the radical idea that the characters if properly developed will help with the plot. I have never started a book and had the plot go exactly the way I had planned. I have had characters pretty much give plot ideas as they interact in the book. I don’t think a writer can begin a story without a firm idea of what the plot will be. I do think character design is a matter of evolution rather that strict planning. I guess I would call it a draw between the importance of the plot or characters. My reason is I can’t see one without the other.

What have been your three biggest learnings during your writing career?

  1. First learning – Do not be in a hurry to get published. So many alternatives are available to a writer that being published is or should be the last consideration. If a writer rushes the process, something is going to break.
  2. Second learning – Do not show your novel to anyone until it is finished. Well-meaning folks reading work in process can stifle the work and discourage the writer. Finish the manuscript then let everyone hack it apart if need be. At least it will be finished
  3. Third learning – Do not be too concerned about the quality of your work. Just keep writing and the quality will come.

How do you manage social media as a writer?

I work social media about two hours a day. I have Facebook, LinkedIn, Google Plus, Twitter, and my blog. I try to jump on social media twice a day to keep current

Do you have any tips or advice for budding aspiring authors?

My biggest tip is to keep writing. Any person who wants to be a writer needs to do it every day. The concern should not be how much is written but the fact that something is written every day. I would recommend that budding writers get a blog and start communicating early what they hope to accomplish.

Do you suffer from writer’s block and if so how do you overcome?

Writer’s block is not something that plagues me. If I’m stuck, I do something else until unstuck.

Do you ever think of the next book whilst writing?

All the time. I have at least five books in my head at any one time. I only work on the current one, though. By the time I get around to the next book I have pretty much vetted what the plot structure will look like. I have had occasions where I had a very good idea for the next book, and the current book stole it. It does happen.

What do you wear to write?

I wear board shorts and a t-shirt.

If readers want to get in touch how do they contact you?

E-mail [email protected]

Blog: Fiction Favorites –  Click here. 
Facebook: Click
Twitter: @HowellWave
Authors db 
Google +https://plus.google.com/+JohnHowellAuthor/
Goodreads –https://www.goodreads.com/author/show/7751796.John_W_Howell
Amazon Author’s page – John Howell

Wow John – good interview! I really enjoyed that. 

Some stuff I have taken from this chat today:

  • I love the way the puppies have organised your writing life, this made me smile. 
  • 1000 words a day – I must try this!  I admire your dedication to writing. 
  • Love your learning about not rushing. I am fighting the urge to rush my novel so this learning is useful. 
  • Five books in your head at one time? I think I need to start thinking about more than one book in my head. 
  • Loving your writer outfit!  

Thank you for this wonderful interview John. 

If you would like to take part in my author series please get in touch. 

Next week: Cultural historian Siân Evans comes to sit in my chair to talk about her book ‘Queen Bees’. 

photo credit: <a href=”http://www.flickr.com/photos/79577679@N00/5448848999″>the chair in the attic</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”https://creativecommons.org/licenses/by-nc-nd/2.0/”>(license)</a&gt;

 

Author Interviews Stevyn Colgan @StevynColgan #Author #Writer

Author Interviews-2

Welcome to my weekly blog series – Author Interviews. 

I love Saturdays because I get to hang out with some inspirational authors on my blog. Over a virtual cuppa and a biscuit they tell me all about their writing life, the obstacles they have faced whilst writing and their motivations for doing something amazing like writing a book.

This week I am really excited as Stevyn Colgan is sat in my red chair. Brace yourselves readers because I have one hell of an interview coming up! I have a feeling his answers are going to leave me speechless…

Hey Stevyn! Welcome to my blog, please have a seat..

Tell my readers about yourself and the book / books you have written

Hello! My name is Stevyn Colgan. I’m a beardy and oddly-spelled Cornishman in his mid-50s living on the Buckinghamshire/Oxfordshire border (where they film ‘Midsomer Murders’, worryingly).

I’m an ex-chef, an ex-cop and now I’m a full-time writer. For half of the year I’m one of the ‘elves’ that write the TV show ‘QI’ and its sister show on BBC Radio 4, ‘The Museum of Curiosity’. The other half of the year I’m usually all over the place speaking at events and festivals in the UK, Europe and occasionally further afield. Or I’m working on the next book.

My books in print are: ‘Joined-Up Thinking’ (2008), ‘Henhwedhlow: The Clotted Cream of Cornish Folktales’ (2010), ‘Constable Colgan’s Connectoscope’ (2012), ‘The Third Condiment’ (2014), ‘Colgeroons’ (2015), ‘Why Did the Policeman Cross the Road?’(2016) and ‘Saving Bletchley Park’ (2016), which I co-wrote with Dr Sue Black OBE.

Next year (2017) will see my first novel in print. It’s a farce; a black comedy murder mystery set at a murder mystery festival. It’s called ‘A Murder to Die for’. I’m currently looking for a publisher for the novel after that.

When did you write your first book?

I wrote my first book way back in 1982. It was a typewritten science-fictiony thing and, having re-read it recently, it was pretty awful! But I was only 21 at the time and just learning how to be a writer. Oddly enough, around that same time, I wrote a ‘Doctor Who’ script that was accepted by the BBC so I honestly thought that my future lay in TV or film (even though I was, at that time, working as a police officer). But the script was eventually bumped because the special effects and costumes would have cost too much. Such a shame – Now that ‘Doctor Who’ is so big I’d have been on the convention gravy train forever! I then went on to write a further 17 novels and got better and better but didn’t feel that my work was good enough to submit until this last year or so.

Meanwhile, I’d kind of got railroaded into writing non-fiction. My first published book came out in 2008 and was called ‘Joined-Up Thinking’. I’ve always been a collector of facts and I’m lucky that I have a very good memory so I remember them. It’s why I landed the job at ‘QI’. But a few years ago I started finding connections between things that were surprising … such as the fact that the London Marathon can be connected to the herb fennel by way of the Greek goddess of victory. She’s called Nike – hence the sportswear company adopting it as a name – and her name was shouted by the legendary Phidippides after his epic 26 mile run from the battle of Marathon to Athens. Which is why we call any long endurance run a marathon. And marathon is the Greek word for fennel. See what I mean? The book is full of that kind of stuff as is its sequel ‘Constable Colgan’s Connectoscope’.

How long did it take to write your first book?

‘Joined-Up Thinking’ took me about six months to write and about a month or so to fact-check. These days, it seems to be the case that anything I write takes about six to eight months from first word typed to having a draft that I’m happy to submit to publishers. But that’s just the physical work I’ve writing I’m talking about. I first had the idea for ‘Why Did The Policeman Cross The Road?’ back in 2006 and began gathering research and content for it back then. So it could be said that the book took me 10 years to write. However, the physical writing only took about six months. It was published in May this year.

What was your motivation to write your first book?

Just a desire to share some great and surprising facts and connections. Same as my motivation when writing ‘QI’ I suppose. Who doesn’t love the fact that Bruce Forsyth is older than sliced bread? Or that you could have gone to watch the last public execution in the UK by underground train (tube)?

What writing issues did you encounter along the way and how did you overcome them?

Constant fact-checking was the big issue with my non-fiction books. There is something called the ‘half-life of facts’; a chap called Samuel Arbesman wrote a great book about it a couple of years ago. Facts change constantly as new knowledge becomes available. For example, when I was a kid in the 60s and 70s, dinosaurs were lumbering thickos with brains the size of a walnut and boring grey-green skin. Fifty years of research has revealed them to be the ancestors of birds and, just like birds, they were dynamic and smart and colourful. Many of them had feathers. It was amazing to find out that some facts changed even during the six months I spent writing of the book. And when the paperback edition came out, I had to update even more.

Did you go through any bad writing patches during writing your book – what kept you going?

I’m going be really annoying here (particularly to other writers) and say no. I’m very lucky in that I rarely have writers’ block – if anything reigning the ideas in is more my problem – and I am very driven. I write every single day even if it is just a blog post or a guest blog post. I think it’s important to write every day – like any muscle, the more you use it, the stronger it gets and the better you get at using it. I guess my biggest problem, and something many writers can relate to, is finding time to write. You just have to learn to be very strict with yourself and make time. I don’t play video games, I don’t play sports and I don’t watch a massive amount of TV. Instead, I read and I write; I’ve sacrificed one set of pleasures for another because there aren’t enough hours in the day for them all. And I have managed to find time to write some 25 books – published and unpublished (so far) while holding down a 40 hour working week for 32 years and bringing up three kids (and now making time for two grandkids). It’s all about priorities. Beyond my family and friends, I’ve made writing my priority – it’s that important to me.

Are you a plotter or do you just write / see what happens?

With a non-fiction book, I will think about individual chapters and how they relate to each other; even with non-fiction I like to tell a story with a start and a finish so that the book is easier for the reader to follow and enjoy. For example, with ‘Why did the Policeman cross the Road?’ I was writing a book about how to improve society by re-building communities and by using modern crime science and behavioural economics and there were lots of examples to include. So I added an element of autobiography and the book progresses as my police career progresses so that there’s a distinct timeline from start to finish. I then slotted the examples and anecdotes into the most appropriate places.

With fiction I plot a little more but it is generally no more than a basic outline of the story from start to finish. Much of the ‘magic’ seems to happen as I write. The toughest job a writer has is nailing that first draft to the paper (hard drive?). Getting those 80,,000 words down can be tortuous but it has to be done, one word after another. But once it’s done, you can start the fun part – editing! All of the best things in my books seem to emerge during the editing process and it’s not unusual for me to re-draft a book anything up to 15 times before I’m happy with it.

What is the best thing about being a writer?

The best thing is … being a writer! I get up in the morning and I can’t wait to get started. My first thought – well, maybe second after ‘Bacon and eggs or granola?’ – is ‘What will I write today?’ Writing is my number one passion and doing it gives me more satisfaction than almost anything else.

What is the worst thing about being a writer?

Money! Most of my frustrations are actually with the publishing industry which has become horribly risk-averse in recent years. Sadly, by plumping for safe bets like TV tie-ins, celeb autobiographies and the like, the money for authors’ advances has all but disappeared. Every half a million quid paid to an already stinking rich premiership footballer or pop star is another 25 advances of £20,000 that won’t be made available for struggling authors to live on.

It’s never been easier to get a book published but it’s never been harder for a writer to earn a living wage. Some of your readers might recall this Guardian article last year.

Apparently 60% of Britons say that being a writer is their dream job. And yet most writers don’t even earn the living wage. The most recent figures I’ve seen (2013) suggest that the top 10% of writers earn over 50% of the total income from the industry. Meanwhile, the bottom 50% of authors were those who earned less than £10,500 PA and accounted for just 7% of the amount earned by all writers put together. And 17% of all writers did not earn anything at all during 2013.

It’s why most writers still have a ‘day job’ – mine happens to be ‘QI’, so I’m lucky there, but that only pays me for four months of work. The other eight, I have to do what I can to pay the bills. THAT’s the worst thing about being a writer – feeling undervalued for what you do. But it’s the same in all areas of the arts. Only a few make a decent living from it.

Have you ever considered quitting writing, and if so how have you worked through this?

Never. Even if I never sell another book or article, I can’t imagine that anything would ever stop me writing. It’s what I do. I’ll always write for fun and personal satisfaction whatever happens.

What does a typical writing day look like for you?

I’m pretty disciplined. You have to be because life is so full of distractions (Ooh look! A squirrel in the garden!). I go into my office at 9am and work through to 11am where I have a 20 minute break for tea, Twitter, Facebook etc. Then, I shut the social media down and work through to 1pm where I have an hour for lunch. The afternoon is a repeat of the morning with a break at 4pm for tea and biscuits. Then I work through to 6pm before leaving the office and shutting the door, knowing that I’ve put in a six to seven hour working day. I might doodle in a sketchpad or make notes in the evening while watching TV but the working day is over. Then I’m likely to be in the pub with Mrs C and/or some friends. I take the weekends off, mostly.

That’s an ideal week, mind you. Sometimes I have to go shopping, or fix the garden fence or paint the kitchen … that’s life! but even then, my mind is working on the next plot twist or a particular description of a character all ready for when I can sit down and write. I always have a notebook with me (How does ANYONE work without a notebook! I have shelves of them, all full of ideas!) and the voice recorder on my smartphone is invaluable. I can’t tell you how many great ideas I’ve had while walking the dogs or mowing the lawn. Things change during January to April when I’m five days a week on ‘QI’ and I do most of my personal writing at the weekends … if there’s time.

Do you suffer from procrastination and if so how do you handle it?

Definitely not. I can’t afford to. Like Neil Gaiman says: ‘If you’re only going to write when you’re inspired, you may be a fairly decent poet, but you will never be a novelist — because you’re going to have to make your word count today, and those words aren’t going to wait for you, whether you’re inspired or not. So you have to write when you’re not “inspired.” … And the weird thing is that six months later, or a year later, you’re going to look back and you’re not going to remember which scenes you wrote when you were inspired and which scenes you wrote because they had to be written.’ It’s so true. The process of writing is putting one word after another until you finish that first draft. Nothing writes itself. If you get caught up in procrastination or endless plotting, planning and research, you’ll never be a writer. I just get on with it and don’t agonise over every word; even if I don’t like what I’ve written at the end of the day, there’s always another day to fix it. And I’ll be another 2,000 words closer to a completed first draft.

Which is more important – plot or characters and why?

Both are important, of course. For me personally, the plot just edges into the lead; you can have the most fascinating and well-drawn characters in the world but if the plot is a dog, you’ll lose the reader. Conversely you can get away with less well-defined or original characters if you have a brilliantly thrilling or hilarious or compelling plot. A poor character can detract from the plot and the enjoyment of reading but will almost always be forgiven if you can’t put the book down. Just recently I re-read Douglas Adams’s ‘Hitchhiker’ quintrilogy (?) and it struck me that the main characters of Arthur Dent and Trillian are barely described. We learn what we learn about them solely from what they say and what they do. But the plots are so startlingly inventive and funny and the writing so beautiful that it really doesn’t matter.

What have been your 3 biggest learnings during your writing career?

1. Books don’t write themselves. If you want to be a writer, get on with it. You may never get a book deal. If you don’t it’s their loss. However, you might get a book deal … but only if you write!

2. Do it for you. Write because you love writing. If you don’t love your work why would you expect others to love it?

3. Be proud of the fact that you have done something that 99% of the public will never be able to do. You’ll hear many, many people say to you, ‘I think I’d like to write a book one day’. They won’t. Because they haven’t.

How do you manage social media as a writer?

I switch it off when I’m writing. When I’m not writing I chat to people. Twitter is great for multiple conversations although it has got a little doomy and gloomy of late and the levels of bitchery and trollishness are annoying. I sometimes use social media to crowdsource advice or opinion. I certainly use it when a new book is out. I published my last two books with the award-winning crowdfunded publisher Unbound. http://unbound.com Social media plays a huge part in that process both for pulling in the funding and for promoting the book once it’s published.

Do you have any tips or advice for budding aspiring authors?

1. Get on with it! I’ve always struggled with the idea of ‘aspiring author’. Surely, if you’re driven to write, you write don’t you? If you want to write badly enough, you’ll find the time. All the professional writers I know and have met –and that’s a lot – had to struggle to find time to write. But they all did it because they were driven to write. They needed to write.

2. Grow a thick skin. If you can’t do that, you’ll have a very tough time. If you take the traditional publishing route you’re probably going to face a lot of rejections. But if you believe in your work, you persevere. I’ve got enough rejection slips to wallpaper the downstairs loo but I did eventually get a book deal with Pan Macmillan. And after publication – whether it’s with a traditional publisher or you do it yourself on-line – you’re going to get reviews. Some won’t be complimentary. Don’t be afraid to take criticism but also accept that you can’t please all of the people all of the time and move on. Look at ‘Mrs Brown’s Boys’ – you either love it or hate it. The writers and performers have had to learn to ignore the haters and get on with pleasing the lovers. That’s their audience. You have to learn to do the same.

3. Keep your options open. I got an agent and a book deal with Pan Macmillan for my first book. But that was never going to limit me. My second book was published by a small educational imprint based in Cornwall. I self-published two books – a very odd experimental work of fiction called ‘The Third Condiment’ and a colouring book called ‘Colgeroons’ (I draw too) with Lulu.com. Then I crowdfunded the next four books with Unbound.com. And for the next book, another novel, I’m back working with my agent and traditional publishers again. Don’t be afraid to mix and match your methods of getting out there. No one is going to read your book if it only exists on your computer. But one word of warning – NEVER give up the rights to your work unless you get paid for it. Retain your copyright at all times because that paid contract and that film/TV deal may be just around the corner …

Do you suffer from writer’s block and if so how do you overcome it?

I haven’t yet. Which isn’t bad in 35 years of writing, eight as a professional I guess. Like anyone I’ve had days where the writing has been hard work and nothing seems to go right. But you can feel like that in any profession. Put it away, come back to it with fresh eyes and fix it. Let other people read it whose opinions you trust. I always give my first draft out to a small gang of critical readers before I submit it. They are all friends of mine – some writers, some not – who will always be honest with me. Listen to what they say. Make the changes you think are necessary but write the book that you want to write. And if you do suffer writers’ block – discuss your problem with close friends or other writers; there are countless writers’ groups on Facebook and elsewhere. A problem shared is a problem halved.

Do you ever think of the next book whilst writing?

Always. I almost always have several book projects on the go at once and, although I may spend 95% of the time working on the one I’m currently writing, an idea may pop into my head that doesn’t work in the book but which may work in one of my other projects. During the editing process for ‘A Murder To Die For’, for example, I realised that I had too many police characters so I merged two into one and removed one completely. But she has now become the central character in a different book. Recycling ideas that way is great – nothing is ever lost, only re-used elsewhere.

What do you wear to write?

I’m complete slob! Outside the house I’m usually found in smart shirt, suit jacket and corduroys. But in my office it’s slobbies all the way – a big t-shirt, ‘leisure wear’ with an elasticated waistband and my favourite pair of 20 year old leather sandals. No socks, of course! The other essential is tea. The kettle barely stops boiling. My preferred tipple is black Earl Grey tea, no sugar. Tea is my fuel.

If readers want to get in touch how do they contact you?

They’d be more than welcome to. I’m on Twitter as @stevyncolgan and my Facebook pages are easy to find.

I have a blog at http://colganwrites.blogspot.co.uk/ and all of my books are available from whatever bookshops and/or websites you buy books from.

‘A Murder to Die For’ has now reached 100% of its funding and is going into production for publication next spring. But if you want to pledge on it (and get one of the special limited editions that won’t be in the shops), you can do so here. You’ll also get your name listed in the back as one of the brilliant patrons who helped to make the book happen.

I can also be reached at [email protected]<mailto:[email protected].

Wow Stevyn – I am speechless!  That was one hell of an interview – thank you. 

Here is the stuff I am taking away from this interview:

  • I think we can all learn something from the way you have prioritised writing in your life. I agree finding time to write is one of the hardest things to do. 
  • Your learnings are fab especially the one about how you should be proud of writing a book because 99% of the public won’t do it.
  • I LOVE your tips for budding authors. Yep – we all need to grow that thick skin.
  • Throughout your interview there was this ‘just get on with it!’ vibe coming through. We all need to hear this a lot!
  • I am loving the elasticated waistband and leather sandals writer look. 

Stevyn you have been fab – thanks again!

 

If you would like to take part in my author interview series please get in contact and leave me a message on my blog.

Have a great day!

Author Interviews – Linda Bradley @LBradleyAuthor #Author #Writer

Author Interviews-2

Welcome to my weekly blog series – Author Interviews.

In this series I interview the authors that inspire and amaze me. I get them to tell me all about their literary journey, the obstacles they overcame when writing their books and their creative process.

Today I am super excited as author Linda Bradley has agreed to sit in my chair. She describes herself as an author and a believer of the phrase ‘sometimes you have to lose your way to find yourself.’ I love this phrase and I get the feeling Linda’s interview is going to be a bit special.

So, Linda – welcome to my Blonde Blog! Please take a seat..

Tell my readers about yourself and the book / books you have written.

I live in Michigan and write Women’s Fiction with a thread of romance. I have an Associates Degree in Interior Design and a Master’s Degree in Reading and Language Arts with undergraduate work in Elementary Education and Fine Arts. I wrote and illustrated a children’s book titled, The Hunter for my Master’s Degree. I’m a member of RWA, as well as the Greater Detroit Chapter of RWA.

When I began writing Maggie’s Way, I believed this book was going to be a stand-alone, but as I prepared to type “the end”, I realized Maggie Abernathy’s story wasn’t finished. Publishing the Montana Bound Series has been a dream come true. I love writing about the “true grit” that makes life unpredictable as well as the humor found in everyday living. The characters in my books are a cast of misfits waiting to steal your heart.

Oh my goodness! I love that line about your characters being ‘a cast of misfits waiting to steal your heart.’ I LOVE misfits and writing about misfits. 

When did you write your first book?

I wrote and illustrated my first book in grade school. My elementary school had this contest called “Calbery”. The term “Calbery” was derived from the names of the Caldecott and Newberry Awards. Students wrote and illustrated their books each year. The winners received awards and the winning books were sent on to compete with other students from surrounding elementary schools. It was a big deal and I looked forward to making my book each year. I still have the ribbons and certificates in my writing box that’s followed me from place-to-place. That deep-seeded passion for writing shadowed me through life, got pushed to back burner, but surfaced later on when my boys were young. I wrote my first women’s fiction manuscript about ten years ago. Time flies when you’re having fun.

How long did it take to write your first book?

To be honest, I’m not sure how long it took to write that “first” full length manuscript. It’s still sitting in a binder on my shelf. Probably a year or so. Maggie’s Way is a different story, though. Maggie’s Way was my debut novel and I completed that manuscript in about three months.

What was your motivation to write your first book?

Cancer was my catalyst. Being published was on my life’s list of things to do, so I buckled down upon being diagnosed. I put all my other projects to the side and let new characters drive my stories. When I began writing Maggie Abernathy and Chloe McIntyre, I found my voice. Within a year’s time, I’d written first drafts for the three books in my Montana Bound Series.

What writing issues did you encounter along the way and how did you overcome them?

I’d written several manuscripts leading up to Maggie’s Way. I’d been lucky enough to have had critiques from agents and editors. The feedback was sometimes difficult to swallow, but in time I learned to stay true to what I wanted to write. I learned to focus on the nuggets that made sense to me. Many moons ago, an editor told me she thought I was a diamond in the rough. I’ve carried that with me and reminded myself that polishing my work and becoming a better writing takes time, hard work, and an open-mind.

Did you go through any bad writing patches during writing your book – what kept you going?

I’d gone through bad patches with previous manuscripts, so when I began writing the Montana Bound Series, I tried to approach the process a bit differently. I began making “character bibles” to help me organize chapter outlines and notes. I collected photographs of people and places to help me stay connected. I also read and completed the exercises in Alan Watt’s book, the 90-day novel while I was writing as a source of inspiration to complete the journey. When I reached 30,000 words, it was time for “NANOWRIMO” so I signed up and completed my debut novel.

Are you a plotter or do you just write / see what happens?

I know the beginning of my story and how it’s going to end. Sometimes, I’ll make a list of events that need to happen in the story, but more often than not, I see my characters’ actions in my head as I go, kind of like a movie. That action leads me from scene to scene.

What is the best thing about being a writer?

Connecting with readers, most definitely!

What is the worst thing about being a writer?

The characters that won’t leave my head until I entertain their story. It’s very difficult for me to turn off my brain, even if I’m exhausted.

I suffer with this too. Sigh!

Have you ever considered quitting writing, and if so how have you worked through this?

Nope.

What does a typical writing day look like for you?

I wish I had a typical writing day. I teach elementary school, so my writing day begins when I get home. Getting into the chair isn’t always possible, but when the creativity is flowing, you’ll find me at my keyboard, hammering away. When I get started on something, it’s hard to stop. Tuning out the dog, the television, and my phone when I’m in the zone is one of my super-powers.

Do you suffer from procrastination and if so how do you handle it?

I know procrastination well. Most often, I don’t handle it, I let it take over because I know my brain is processing the work in progress even if I’m not consciously thinking about it. Sometimes watching the Friends marathon or doing an art project is necessary. Procrastinating can be a productive tool in my book. I know what I’m capable of and I know that when it’s time to get going, I will. Setting goals and limits for myself also helps me stay on track.

Which is more important – plot or characters and why?

Characters. I think if you have strong characters, they’ll drive the plot.

What have been your 3 biggest learnings during your writing career?

One. Never give up. Two. Never give up. Three. Never give up.

LOVE these learnings!

How do you manage social media as a writer?

I try to get on Facebook and Twitter daily. I don’t always promote my books, but I want my followers and friends to know, I’m still there. I like to share posts and re-blog. Occasionally, I’ll set up a Facebook party or a giveaway.

Do you have any tips or advice for budding aspiring authors?

Follow your heart. Write what you like to read. Step outside the box even if it’s uncomfortable. Writing is a continuous process. It’s okay to fail and make mistakes. Learn to roll with the punches. Getting back up is the most important thing you can do for yourself. Believe.

Do you suffer from writer’s block and if so how do you overcome?

If anything, I have too many ideas milling around in my head. Teaching full-time doesn’t allow me to explore story lines when they blossom, so they tend to build up. And when they’re thick and bountiful, there’s nothing more frustrating than trying to organize my thoughts. Sometimes the days just aren’t long enough to get everything done that I want to accomplish. So, you know all those neat little piles of notes on my desk, please don’t rearrange them.

Do you ever think of the next book whilst writing?

All. The. Time.

What do you wear to write?

Jeans. Shorts. Pajama pants. T-shirts, fleece if it’s a chilly day and the hot flashes aren’t coming my way. Anything that’s comfy.

If readers want to get in touch how do they contact you?

 LBradleyAuthor
 @LBradleyAuthor
Website: www.LindaBradleyAuthor.com
Amazon Author Page

Wow Linda – fab interview! 

I have taken a lot from this today:

  • I love how you write about the ‘true grit’ that makes life unpredictable. 
  • I think your writing journey has been so inspirational. 
  • It must have been a magical literary moment for you when an editor referred to you as a ‘diamond in the rough!’  I do hope that’s the phrase my future editor uses when referring to me – sigh!  
  • I can relate to storylines ‘becoming thick and bountiful’ – great way of describing the creative build up. 
  • We all have piles of notes on our desks that must never be disturbed. 

Linda  – thank you – what a star!

If you are an author and want to sit in my red chair please get in touch. 

For more fabulous interviews please click here. 

photo credit: <a href=”http://www.flickr.com/photos/79577679@N00/5448848999″>the chair in the attic</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”https://creativecommons.org/licenses/by-nc-nd/2.0/”>(license)</a&gt;

Author Interviews Andrew Joyce @huckfinn76 #HistoricalFiction #Author

Author Interviews-2

Welcome to my weekly blog series – Author Interviews.

I love interviewing inspirational and interesting authors. They make my Saturday!  In these interviews I get to glean some insight into their writing life and understand what obstacles they encountered whilst writing their books.

BlondeWriteMore readers we are in for such a treat as author and blogger Andew Joyce has agreed to come sit in my red chair!  He lives on a boat, has a dog called Danny, has six books under his belt and I have heard he once threw his TV out of the window, before writing his first short story. As you can imagine I am bubbling with excitement about this interview. I do hope he talks about the TV incident and I hope his short story was worth it!

Hey Andrew!  Welcome to my blog and red chair. Tell my readers about yourself and the book/books you have written.

I live on a boat in Fort Lauderdale, Florida with my dog, Danny. I write books. And when I’m not writing, I’m working with my editor. And when I’m not working with my editor, I’m marketing my latest book. Then I start the process all over again. I pace myself to one book a year. That way I don’t have to work so hard. Four months for writing, three for editing, and five for marketing (which I detest).

When did you write your first book?

One morning, about six years ago, I went crazy. I got out of bed, went downstairs, and threw my TV out the window. Then I sat down at the computer and wrote my first short story. Just for the hell of it, I threw it up on a writing site. A few months later, I was informed that it had been selected for publication in an anthology of the best short stories of 2011. I even got paid for it. That’s when I started writing Yellow Hair.

Oh my goodness Andrew – I am loving this crazy TV chucking stage you went through before writing a short story!  In my experience I tend to chuck things after I have written and have gone back to edit. 

Wow – your story got selected for publication! I need to go through this crazy stage of yours. I just hope my family are supportive when I lob our TV set out of the window. 

What was your motivation to write your first book?

It all started way back in 2011. My first book was a 164,000-word historical novel (Yellow Hair). And in the publishing world, anything over 80,000 words for a first-time author is heresy. Or so I was told time and time again when I approached an agent for representation. After two years of research and writing, and a year of trying to secure the services of an agent, I got angry. To be told that my efforts were meaningless was somewhat demoralizing to say the least. I mean, those rejections were coming from people who had never even read my book.

“So you want an 80,000-word novel?” I said to no one in particular, unless you count my dog, because he was the only one around at the time. Consequently, I decided to show them City Slickers that I could write an 80,000-word novel!

I had just finished reading Mark Twain’s Huckleberry Finn for the third time, and I started thinking about what ever happened to those boys, Tom and Huck. They must have grown up, but then what? So I sat down at my computer, banged out REDEMPTION: The Further Adventures of Huck Finn and Tom Sawyer in two months, then sent out query letters to agents.

Less than a month later, the chairman of one of the biggest agencies in New York City emailed me that he loved the story. We signed a contract and it was off to the races, or so I thought. But then the real fun began: the serious editing. Seven months later, I gave birth to Huck and Tom as adults in the Old West. And just for the record, the final word count is 79,914.

The book went on to reach #1 status in its category on Amazon—twice. And it won the Editors’ Choice Award for best Western of 2013. The rest, as they say, is history.
But not quite.

My agent then wanted me to write a sequel, but I had other plans. I was in the middle of editing down Yellow Hair (that had been rejected by 1,876,324 agents . . . or so it seemed) from 164,000 words to the present 139,000. However, he was insistent about a sequel, so I started to think about it. Now, one thing you have to understand is that I tied up all the loose ends at the end of REDEMPTION, so there was no way that I could write a sequel. And that is when Molly asked me to tell her story. Molly was a minor character that we met briefly in the first chapter of REDEMPTION, and then she is not heard from again.
So I started to think about what ever happened to her. After a bit of time—and 100,000 words—we find out what did happen to Molly. It is an adventure tale where Huck Finn weaves through the periphery of a story driven by a strong female lead. Molly Lee was my second book, which achieved #2 status on Amazon.

Now I was finished with Huck Finn for good. Now I could go back to Yellow Hair and resume the editing process.

But not quite.

It was then that Huck and Molly ganged up on me and demanded that I resolve their lives once and for all. It seems that I had left them hanging—so to speak. Hence, RESOLUTION: Huck Finn’s Greatest Adventure.

Then I went back to editing, Yellow Hair.

I am speechless. Wow – what a literary experience!  

What writing issues did you encounter along the way and how did you overcome them?

I encountered no issues while writing my first three published books. My muse was working overtime.

Did you go through any bad writing patches while writing your book – what kept you going?

While writing Yellow Hair, I had to stop to learn the Lakota language. I wanted to immerse myself in the Sioux culture and I wanted to give them dignity by using their language whenever possible. I also wanted to introduce them by their Sioux names. So, I had to learn the Lakota language. And that wasn’t easy. There is a consortium that will teach you, but they wanted only serious students. You have to know a smattering of the language before they will even deign to accept you. I had to take a test to prove that I knew some Lakota. I failed the first time and had to go back to my Lakota dictionary and do some more studying. I got in on my second try.

As to what kept me going, I could opt for the funny answer and say “vodka.” Or I could go with a pretentious answer and say, “The thirst for knowledge.” In reality, it was just so much damn fun.

Are you a plotter or do you just write/see what happens?

When I have an idea for a novel, I know the first sentence and the last paragraph (more or less). Then I sit down and start to tell the story. But the finished product is always different from what I set out to write. Sometimes I will take my characters to a place and they will rebel and take off on their own. Then I have no choice but to follow where they lead.

What is the best thing about being a writer?

The writing.

What is the worst thing about being a writer?

The marketing.

Have you ever considered quitting writing, and if so how have you worked through this?

If I stopped writing, I’d probably buy a TV and watch soap operas all day long. The thought of that alone keeps me at the computer.

What does a typical writing day look like for you?

I prefer to write in the early morning hours when things are quiet. I usually get up around 2:00 a.m. and go to work. The commute is not long . . . only a few steps to my computer.

Do you suffer from procrastination and if so how do you handle it?

Vodka.

Great answer Andrew! I am loving this interview. 

Which is more important, plot or characters and why?

I just tell stories. I don’t think about things like that.

What have been your biggest learning experiences during your writing career?

  • There is no escaping the marketing process.
  • Unless you have the sales of Stephen King, it’s better to be an Indie than have a big-time agent and a publishing house behind you.
  • How many books that I have to compete with on Amazon (8,000,000)!

How do you manage social media as a writer?

I don’t.

Do you have any tips or advice for budding aspiring authors?

  • Read, read . . . and then read some more. Read everything you can get your hands on! Reading to a writer is as medical school is to a doctor, as physical training is to an athlete, as breathing is to life. When one reads stuff like the passage below, one cannot help but become a better writer.
    “The afternoon came down as imperceptibly as age comes to a happy man. A little gold entered into the sunlight. The bay became bluer and dimpled with shore-wind ripples. Those lonely fishermen who believe that the fish bite at high tide left their rocks and their places were taken by others, who were convinced that the fish bite at low tide.”—John Steinbeck, Tortilla Flat
  • Never, ever, ever, ever respond to a negative review!!!

Do you suffer from writer’s block and if so how do you overcome?

My problem, if you can call it a problem, is that I have too many words in my head. Apart from my novels, I have 150 short stories almost ready for publication and another thirty that I’ve started but don’t have the time to finish—at least not at the present time.

Do you ever think of the next book whilst writing?

Only as a fleeting thought.

What do you wear to write?

I’m not tellin’.

If readers want to get in touch how do they contact you?

http://www.andrewjoyce76.com

Andrew, that has to be one of the most entertaining Author Interviews – thank you! 

I am taking several things from this interview:

  • I loved how Huck and Molly ganged up on you and demanded you resolve their lives. 
  • I love how the thought of buying another TV and watching soap operas all day keeps you at your writing desk. 
  • You are the first writer to be interviewed who chooses to get up at 2am to write. Fab!  I am at my best in the small hours too so I might try this…
  • Your writing tips are great and that passage is awesome. 

Thank you for a fab interview. 

If you are an author and fancy sitting in my red chair please leave me a message in the comments box. 

photo credit: <a href=”http://www.flickr.com/photos/79577679@N00/5448848999″>the chair in the attic</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”https://creativecommons.org/licenses/by-nc-nd/2.0/”>(license)</a&gt;

 

Author Interviews @evgaughan #Author #Writer #HistoricalFiction

Author Interviews-2

Welcome to my weekly Blog Series – Author Interviews.

This series is where I interview authors who inspire and motivate me. I get to ask them about their writing journey, understand the obstacles they faced with writing their books and glean some valuable insight into their writing life.

Today I am thrilled because an author, who I have been admiring for sometime, has agreed to an interview – Evie Gaughan.

I started reading her fab book The Heirloom’ and I knew (a few pages in) that I had to somehow persuade her to come on my blog.

So please give a warm welcome to Irish author and blogger Evie Gaughan!

Hey Evie!  Welcome to my blonde blog – please take a seat in my famous red chair..

Tell my readers about yourself and the book / books you have written.

Well, if you make me a cup of tea, I’ll tell you anything you like!  Which tells you a lot about who I am – I drop everything for tea and a chat, which isn’t very conducive to writing, as it requires a lot of willpower and self-discipline. Thankfully, I do have a very tenacious streak in me that always gets the job done. I’m basically a hare in a tortoise’s body! When I’m not writing, I paint. Canvases, not houses, although I have been known to dabble in emulsion when the mood strikes.

Evie – that is an amazing phrase – a hare in a tortoise’s body!  Brilliant!  I think I might be one of those too – sigh!  Please carry on..

As for books, I’ve always been a fan of reading and writing contemporary fiction, but in the last few years I’ve really been drawn to the ‘Dual Timeline’ genre. Books like Kate Morton’s ‘House At Riverton’ and Diane Setterfield’s ‘The Thirteenth Tale’ are both master-classes in how to blend two-time periods into one novel.

My debut novel, ‘The Heirloom’ is the story of a young woman who inherits a medal, which dates back to the time of the Spanish Armada. I was inspired by the fact that several Armada ships wrecked along the coast of Ireland and hundreds of Spanish sailors sought refuge with local Chieftains. It was a fascinating time in history, but rather than set the entire book in 1588, I told the story through the contemporary eyes of a young woman who is struggling with her own demons. ‘The Mysterious Bakery On Rue De Paris’ is set in France and tells the story of a bakery with an unusual family secret. This novel is more contemporary, although there are historical aspects touching on World War II, and focuses on my penchant for the otherworldly (and pain au chocolat!).

I have just finished editing my third novel, which I am EXTREMELY excited about! It has been a year in the making and explores another subject that is close to my heart… but if I tell you what that is, I’ll have to kill you!  

However, I can say that it is another dual timeline story, set in the early 1900’s in Ireland and the present day. I don’t have a publication date as yet, but it will be available in early 2017.

Evie, I am loving your excitement for dual timeline stories. I must try writing one as you are clearly having some literary fun! 

When did you write your first book?

This is a bit of a trick question (or a trick answer!) I began writing my first novel back in 2002 in my little apartment in Montréal, Québec. I had lived in Canada for about five years and after 9/11, I started to get extremely homesick. My reading habits reflected this, and I began devouring books by Irish writers such as Maeve Binchy and Marian Keyes. I think I knew I was going to return to Ireland, even before I had made the decision, so I quite my job and decided I was going to be the next big thing in Irish fiction! I soon realised, however, that this writing lark wasn’t as easy as it looked. It was damn hard and I was woefully unprepared, so I gave up.

I wrote another novel after that and actually finished it, but it will never see the light of day. I have read that writers who are at the beginning of their career often tend to mimic the style of their favourite authors and that’s exactly what I did. Still, I learned so much from that novel, not least what it takes to see it through to the end. I never saw it as time wasted, because it turned out to be an apprenticeship of sorts, where I learned the craft of novel-writing.

In 2011, I came upon the idea for The Heirloom and the rest is, well, give me another cup and I’ll tell you about it ☺.

How long did it take to write your first book?

It took approximately two years to write, although about six months of that was spent researching the medieval portions of the story.

What was your motivation to write your first book?

Honestly, the motivation was to write something I could be proud of. After the first attempts, I knew I had to push myself to write something original and not settle for being a poor imitation of someone else. I wanted to make my own mark with my own voice. I put everything into it, so I’m very proud of it.

What writing issues did you encounter along the way and how did you overcome them?

The biggest issue was getting to grips with writing historical fiction. It’s not something to be entered into lightly and it takes a lot of time and practice to hit the right tone.

Obviously, I had no idea what it was like to live in the middle ages, so I had to pluck research from a lot of different sources to create a feel for what it might have been like. I needed to know everything, from what people ate, where they lived and what they wore. But I also needed to find a voice that would make the historical sections of the book more believable. I had to enter a very different head space to write those scenes and even listened to lots of Enya and Loreena McKennit to get in the mood!

Music has always been so evocative for me and with every novel I create new playlists to create the atmosphere I’m looking for. It must have worked, because most reviews have mentioned how realistic the historical parts were.

Did you go through any bad writing patches during writing your book – what kept you going?

Always! There are always bad patches, with every book. That’s why so many people give up (apparently only 3% of people actually finish their novels!).

Self-doubt is the biggest culprit. There are days when you look at your writing and think, this is utter shite! I can’t do this! But, cheesy as it may sound, what keeps me going is the dream. I dreamed of being a writer for so long – not someone who dabbled and gave up – but a writer, with a decent body of work to her name. I don’t base my idea of success on worldwide recognition and obscene advances (although I wouldn’t kick them out of bed for eating crackers!) but rather on achieving my own goals, which are to write good books that people enjoy reading.

Are you a plotter or do you just write / see what happens?

I have a rough outline of what shape the story will take, but beyond that, I’m not a very organised writer. I need space to work spontaneously and let the story unfold organically. That’s the unexpected magic of writing, when characters appear out of nowhere and new plot twists turn a dead-end into an interesting new path. For me, too much rigidity can stifle that sense of creative freedom. In other words, I don’t really know what I’m going to write and just hope that inspiration will strike!

What is the best thing about being a writer?

The best thing about being a writer is creating a world, filled with people who didn’t exist before you wrote them. As a reader, I love to escape into fictional worlds, but as a writer, I get to indulge in my own fantasies.

What is the worst thing about being a writer?

The sedentary lifestyle! I often find my day is spent swapping one chair for another. In an effort to combat all of this sitting around, I started swimming… in the sea. However, at the risk of hypothermia, I have since confined myself to a heated swimming pool!

Have you ever considered quitting writing, and if so how have you worked through this?

Every time I finish a book! I don’t know if it’s the same for other writers, but by the time I type the words ‘The End’, the thought of doing it again seems almost sadistic! I move towards my art when I finish a book, because I can still express myself creatively but without words.

Nevertheless, after a few months of a writing holiday, I begin to feel heartsick for that indescribable high you only get from writing. An idea will form at the back of my mind and then other aspects begin to attract to it like magnets. It’s more than a coincidence; it’s a secret agreement between your subconscious and the muse, which you can only ignore for so long. And so, the process begins again!

What does a typical writing day look like for you?

I really don’t have one. The only time I kept some sort of timetable was when I did NaNoWriMo – the crazy challenge of writing 50,000 in 30 days. There’s something about it that appeals to my inner Hare and I’ve actually completed it twice. Frankly, it nearly killed me, but it did teach me how to not edit while writing and I think that has really helped to free me up as a writer. But normally, I try to give myself a weekly word count target rather than a daily one, so I have more flexibility. I’m also trying to write a bit more away from the screen. I was never a huge fan of writing long hand, but sometimes it helps to change things around. I don’t really thrive under routine!

Do you suffer from procrastination and if so how do you handle it?

Never do today what can be put off till tomorrow, that’s what I say! As you can see, there’s a bit of a pattern forming here. But I try to embrace it – I mean we all procrastinate at some point (writers more than anyone). I think we label any time where we are not being productive as ‘procrastinating’. But when you’re a writer, you really do need time to just do nothing and let the ideas sort themselves out in your head. We’re all under so much pressure to work harder and be more productive, which is so stressful. I try to trust in the fact that I’ll get there in the end. Mostly!

Which is more important – plot or characters and why?

I don’t think you can put one above the other. The story just won’t work if you don’t balance these two very important elements. I recently read a novel by a very successful author, which had lots of well-developed characters, but the plot didn’t really go anywhere. I lost all interest in the story and I wasn’t alone (the reviews on Goodreads bear this out.) Equally, you can have an interesting story, but if the reader isn’t invested in the characters, they won’t care what happens to them. The plot always comes to me first, so I really have to work at creating engaging characters the readers can connect with, while also driving the story forward.

What have been your 3 biggest learnings during your writing career?

  • Writing is the bones, editing is the flesh.
  • The first draft is essentially telling yourself the story. It’s okay if it’s messy.
  • The best way to promote your book is to write another one.

How do you manage social media as a writer?

Ah yes, social media. The great vortex! I think especially for self-published authors such as myself, it is an invaluable tool. I have connected with so many great people (such as yourself!) and found new opportunities to chat about writing with like-minded people. My blog is a fantastic platform to flex my writing muscle and again, to become a part of the online conversation. But sometimes it’s hard to know whether you’re spending time on social media or just wasting it. Sometimes it doesn’t feel like work, because it’s so entertaining, but then you meet a new contact and so on and so on. I probably ‘manage’ it about as well as the next person (i.e. I have no control over it!!). But when you’re writing, cleaning the oven can become a welcome distraction so what hope do you have against dancing cats?! I try to disconnect when I write and become a bit stricter with my usage.

Do you have any tips or advice for budding aspiring authors?

Try to read as much as possible. Reading good books has really elevated my own expectations of my writing, which is so important. You are essentially working in a vacuum and the only one pushing you, is you! And remember, professional writers are just writers who never gave up, so keep pushing and never give up.

Do you suffer from writer’s block and if so how do you overcome?

Not exactly. If I’m struggling with a scene, I tend to skip ahead and write a scene that I know will come easier. I don’t normally tend to write out of sequence, but if I’m stuck, it’s a good trick to use because you’re still making progress.

Do you ever think of the next book whilst writing?

If I do, it’s only a fleeting thought. I couldn’t possibly start fleshing out ideas for another book while writing; I’m not sure how people do that. I do have an idea for another book, but it’s just a little seed germinating away in the dark recesses of my mind! Ideas need time to form and I don’t like to rush that process. Rightly or wrongly, that’s how I’ve always worked.

What do you wear to write?

Hah!  Well I know what I’d like to wear.. a bright pink Selkbag! I write in my converted attic which, apart from a few weeks in the Summer, is freezing cold. I end up looking like one of Fagan’s street urchins with fingerless gloves wrapped around mugs of steaming hot tea.

So I found these online last year and thought they would make the perfect Christmas present (wink, wink).

It’s like a sleeping bag suit! Might get some funny looks when I answer the door, but I think it’ll be worth it ☺ You can read my blog about it here

If readers want to get in touch how do they contact you?

I’m either on Twitter @evgaughan or my blog www.eviegaughan.wordpress.com If I’m not at either of those two locations, I’m dead!

Evie – wow! What an interview…and so many cups of tea🙂

I have taken so many things from our  chat today:

  • I love how you referred to the book, that will never see the light of day, as an ‘apprenticeship’ – I can really relate to this as I believe each book or story teaches you something new and as you say nothing in writing is ever a time waste. 
  • I loved how you spoke about your motivation. ‘The motivation was to write something I could be proud of and I knew I had to push myself to write something original and not settle for being a poor imitation of someone else. I wanted to make my own mark with my own voice. I put everything into it, so I’m very proud of it.’  I think this is why I am sweating and slaving away over my first novel. 
  • I can really relate to your comment about ‘letting a story unfold organically.’ Amen! 
  • Yes I agree social media is the ‘great vortex!’  
  • Great tip regarding reading! 
  • OMG – that sleeping bag suit looks amazing!  Although I do think my deodorant would let me down so mine would be a bit whiffy after a bit🙂

 

Thank you Evie! What a star!

BTW – Love your blog post – How being a writer can prepare you for old age!

Your book ‘The Mysterious Bakery On Rue De Paris’ sounds right up my street! Love vintage French bakeries!


photo credit: <a href=”http://www.flickr.com/photos/79577679@N00/5448848999″>the chair in the attic</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”https://creativecommons.org/licenses/by-nc-nd/2.0/”>(license)</a&gt;

 

 

Author Interviews @SueAuthor #Author #Writers #WeekendBlogShare

Author Interviews-2

Welcome to my weekly blog series – Author Interviews. 

Each week I get to interview an amazing author on what it was like for them to write their book and the challenges they overcame. I also get to glean some useful writing tips and find out what authors are wearing these days whilst they hammer out their books.

Today I am very excited as inspirational author Sue Hampton has agreed to come and sit in my red chair.

Tell my readers about yourself and the book / books you have written

I’m an ex-teacher, now an unusual professional author because I have 27 titles with 6 small publishers, for children, teenagers and adults and across genres. I’m also an Ambassador for Alopecia UK, having lost all my hair 35 years ago. My latest book, RAVELLED, is my first short story collection (for adults).

When did you write your first book?

The first title published was the historical adventure SPIRIT AND FIRE in 07 – “enthralling” said Michael Morpurgo – but the first story I wrote was THE WATERHOUSE GIRL, a children’s novel built around an eleven-year-old character with alopecia. I held it back, even after Michael Morpurgo called the manuscript “beautifully written” and once I’d found a publisher, because while I still wore wigs my baldness was a secret and the book would blow my cover. It was published once I decided to own my hair loss – and to share, when I’m booked by schools or adult groups, a message about diversity, identity and respect.

How long did it take to write your first book?

I wrote THE WATERHOUSE GIRL over an intense five weeks but then returned to it years later and edited, expanded and reworked it, bringing in a whale and more humour. This process took a few months.

What was your motivation to write your first book?

I’d wanted to be an author since the age of 6. As a primary teacher I needed powerful stories to read at Story Time, and well-written stories to illustrate techniques and everything words can do. Some of the books on the classroom shelves inspired me, like Morpurgo’s. Others fell short. I was approaching 50 when I decided to make it happen, and my subject, exploring through a fictional character my own experience of alopecia, was the obvious one for me. It was therapy but Daisy Waterhouse also changed my life – when I realised she was the person I wanted to be. It earned me the role of Ambassador for the charity and enabled me to support others but I never imagined that outcome.

What writing issues did you encounter along the way and how did you overcome them?

I’ll answer that in a career-so-far context! I have learned to adapt my style again and again as I’ve explored different genres, and with one YA title, THINNER THAN WATER, I had to accept an editor’s stripping back and chopping of my default literary flow when writing (in close third person) about a streetwise urban teenager called Kim who is self-defined by toughness. This worked, because the other teenage protagonist is as different from Kim as she could be, so because Fizzy’s chapters have a fluid, dreamy musicality and spirituality in their tone and vocabulary the contrast is sharp and effective. Encouraged by this success (I’m not talking sales but in my own critical judgement) I decided that in my adult novel FLASHBACK AND PURPLE I would use four distinct voices, each with a register, style and perspective. That’s quite a challenge, but challenge motivates me. I’m not interested in series. There are so many kinds of story, which is why I’ve now written a collection of them (RAVELLED).

Did you go through any bad writing patches during writing your book – what kept you going?

I don’t get writer’s block. I occasionally lose heart but never for more than a day because my husband, Leslie Tate, is an author too and talking to him usually shifts things on. Together we appear (we get booked by writers’ groups, reading groups, libraries, U3As and run Berkhamsted Live) as #authorsinlove and we support and sustain each other. I don’t think I would have survived the brutality and injustices of the book world without him! He’s gifted and we believe in each other.

Are you a plotter or do you just write / see what happens?

Generally I let my characters lead because whatever the audience or genre they are at the heart of every story. In the case of SHUTDOWN, a futuristic teenage novel, I knew what the big climax would be before I began but had to find my way there. Sometimes with children’s adventures/mysteries I have to stop around two-thirds of the way in and plot out the remainder to ensure that I hold on to each strand and don’t leave any of them hanging. When I write adult or YA fiction the process is usually freer, allowing the story to develop organically from character, with the exception of RAVELLED because short stories make certain demands that must be met rather fast.

What is the best thing about being a writer?

The joy of falling in love as a writer with characters I know more intimately than real people, and the intensity of the commitment to them and their story. And the joy when any reader experiences that same thrill, whether that reader is a child in a school (I’ve been to 600) a Facebook friend I’ve never met or an author I respect.

What is the worst thing about being a writer?

The business. That means the whole idea that a book is a product, success is defined by sales, celebrities draw big advances for books they don’t write, and profile matters more than talent. All of that can leave authors like me without big publishers feeling needy and even on occasions humiliated, as during the Waterstone’s signing where a guy walked in, read the sign and said, loudly and sarcastically, “Oh, wow, Sue Hampton’s here.” Pause, different voice: “Who the hell’s she?” No fun for the author shrinking at the table. I also hate self-promoting.

Have you ever considered quitting writing, and if so how have you worked through this?

Yes, for the reasons above. I hoped that praise from Morpurgo, Beverley Knight and, in the case of RAVELLED, many respected and established authors, might earn me a contract with a big publisher and enable me to reach more readers. The disappointment when a big break crumbles can be tough. I suppose belief that I have something to offer as an author keeps me trying – and that desire to improve, to challenge myself.

What does a typical writing day look like for you?

I used to run down the corridor early each morning as a teacher and work until 11:00 at night so I’ve had enough stress, thanks! No targets or regimes but I’m an early riser and may start writing before most people are at work. It varies. I take time out and as I also spend some days as an author in school leading writing workshops, aiming to inspire.

Do you suffer from procrastination and if so how do you handle it?

Well yes, checking Facebook and Twitter and book orders before I start writing but that’s part of the job really. I’m quite disciplined but the key thing is that once a book has started to roll there’s nothing I’d rather do than write it.

Which is more important – plot or characters and why?

Characters. I don’t read plot-led fiction so I rarely write it. I’m more interested in characters, their interior lives and dramas and their relationships. My children’s novels need plenty of action of but I begin with characters and they determine it.

What have been your 3 biggest learnings during your writing career?

  1. It’s tougher out there than any writer thinks it will be and luck is rare.
  2. There may be a difference between compromise in dealings with editors and surrendering identity or integrity – but there may not.
  3. Publishers all function differently, like species, but small ones may well be more respectful and less controlling than the big boys.

How do you manage social media as a writer?

Usually with half-hearted reluctance. I hate being bombarded by authors myself. I try to exercise judgement and restraint and I won’t pay to be marketed. However, I’ve just paid two lovely students who’ve set up their own company to make a promo film for RAVELLED because in it I can share my ideas about writing as well as extracts from the stories – and be bald and bold of course.

Do you have any tips or advice for budding aspiring authors?

Write what you want or need to write but read widely and critically too. Be inspired by the greats and earn from them. In my case those are George Eliot, Tolstoy, Dickens and Virginia Woolf in particular but also, in contemporary writing, Carol Shields, Anne Tyler, Marilynne Robinson, Susan Fletcher, Barbara Kingsolver, Elizabeth Strout. The children’s writers I admire most are Morpurgo of course, Malorie Blackman, Alan Garner, Leon Garfield and Geraldine McCaughrean.

Do you ever think of the next book whilst writing?

Yes. I have a notebook for when ideas come to me. Most do generate books.

What do you wear to write?

Big earrings, tops of many colours but nearly always red, leggings usually. I have author outfits which are smarter but equally vivid variations and may involve heels or dresses at times.

If readers want to get in touch how do they contact you?

  • Website: www.Suehamptonauthor.co.uk is my website, which has a contact page as well as a shop.
  • Twitter: I’m @SueAuthor on Twitter.
  • Facebook: I have a for supporters.
  • YouTube: Check out my

 

Hey Sue – great interview! 

  • Wow that must have been amazing when Michael Morpurgo said your book was ‘enthralling’ and ‘beautifully written!’ 
  • I loved how you decided to ‘own your hair loss’ and share your experiences with others. So inspirational! 
  • Anyone who can write a book over an intense five week period is a super star in my eyes!
  • I can relate to falling in love with characters and I agree its one of the best things about being a writer. 
  • I love your writer fashion – big earrings and red leggings! 

Thank you🙂

If you are an author and would like to appear on my blog please get in touch. 

photo credit: <a href=”http://www.flickr.com/photos/79577679@N00/5448848999″>the chair in the attic</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”https://creativecommons.org/licenses/by-nc-nd/2.0/”>(license)</a&gt;

Author Interviews Ian Probert @truth42 #Writers #Author #Boxing

Author Interviews-2

Welcome to my weekly blog series – Author Interviews.

I spend a lot of my time pestering amazing authors and getting them to agree to an interview on my blog.

These interviews provide my readers with valuable insight into a writers’ life. I get to understand how they overcame tough challenges whilst writing their books, what learnings they have for aspiring authors and most importantly what they wear whilst writing their literary masterpieces.

This week I have managed to persuade author Ian Probert to sit in my chair.

Ian is a ‘fighter not a writer’ and on his website describes himself as ‘incredibly handsome. Indescribably intelligent. The most brilliant writer since… Since… Since… Well… William Dickens or Charles Shakespeare’.  He used to play guitar in the Beatles. he’s an opera singer. Beyoncé is his stalker (she’s so irritating!). He played football for Real Madrid. He has an Olympic gold medal for water polo. Andy Murray used to be his ball boy. He played clarinet with Lorraine Bowen and is the secret love child of Marlon Brando and Tessie O’Shea!’

I love his imagination! Almost as good as mine🙂

Ian knows a bit about boxing, so I am putting on my virtual boxing gloves to do this interview.

Ian – welcome! Please take a seat in my red chair..

Tell my readers about yourself and the book / books you have written

Over the year I’ve had eight or nine books published. These range from children fiction, to teenage fiction, to adult fiction and autobiography. I’ve even had couple of book on photography; kid of a hobby of mine.

When did you write your first book?

My very first book would have been when I was about 12, although you’d have to call it a novella. What I used to do was hand in stories that were several exercise books in length to my bemused English teacher. The poor woman would then have to read them – she must have dreaded giving me homework.

How long did it take to write your first book?

My first published book was called ‘Internet Spy’. That was in 1995. It took about a month. It wasn’t very long.

What was your motivation to write your first book?

What basically happened was that I pitched a teenage fiction series to Kingfisher and they went for it.

I was then commissioned along with people like Terry Deary to write the books.

What writing issues did you encounter along the way and how did you overcome them?

Well apart from the obvious one of typos, which I still don’t understand the psychology behind our ability to totally miss them, it’s always about making things interesting enough for readers to want to carry on reading. Obviously it is. I used to try to get a handle on this by drinking alcohol at the end of the day and then reading what I’d written. I was hoping that I could see things from a different point of view. I don’t think this approach was particularly successful. Although I did used to get very drunk.

Did you go through any bad writing patches during writing your book – what kept you going?

I went through a 15-year long bad writing patch, in which my brain was in a complete fog due to undiagnosed hypothyroid disease. This is one of the many symptoms of the disease – the inability to concentrate. And nothing kept me going – I eventually stopped completely until three years ago, when my condition finally diagnosed.

Are you a plotter or do you just write / see what happens?

I like to have a basic framework or premise and then see where it takes me. If I can surprise myself then hopefully I can surprise others. In the kids book I did a couple of years ago – Johnny Nothing – I actually had no idea how it would end until suddenly the book was finished.

What is the best thing about being a writer?

To be in control of the entire universe.

What is the worst thing about being a writer?

To have no say whatsoever in the universe you inhabit.

Also, no sick pay or paid holidays.

Have you ever considered quitting writing, and if so how have you worked through this?

Apart from my 15-year enforced hiatus, not really. I’m at the age where there’s nothing else I could do. I don’t see anyone suddenly offering me a job. Unless it’s an unpaid one at the local Oxfam.

What does a typical writing day look like for you?

Start around 8:30 when everyone has left the house. Write until about 1:00 or 2:00. Then try to do marketing, household chores, etc.

Do you suffer from procrastination and if so how do you handle it?

Erm… Well… I… Um… Let’s see… No, not at all.

Which is more important – plot or characters and why?

I don’t see either being any more important than the other. It’s no good having a great story with rubbishy characters. And it’s equally useless having great characters with a crappy story. You gotta go for both at the same time.

What have been your 3 biggest learnings during your writing career?

Wow.

1. To be honest.

2. To read your work aloud to others – that way you’ll soon discover if it’s of any value.

3. To learn to accept criticism.

How do you manage social media as a writer?

It’s a necessary evil these days. Although I’m unconvinced that I’ve ever sold a single extra copy as a result of a tweet or a Facebook post. However, if you want a publisher to take you seriously you must have a pretty noticeable web imprint.

As well as a personal website and the obligatory WordPress blog, I tend to do everything. My motto is ‘Facebook for friends and family; Twitter to swear at and insult people you don’t know…’

Do you have any tips or advice for budding aspiring authors?

Don’t do it. Seriously. Don’t. There are plenty of other ways out there to earn enough money to have a varied and full life.

Writing is like acting and music – only the top 5% make any money, the rest are waiters. And, of course, the fewer people decide to write the less competition there is out there for me!

Do you suffer from writer’s block and if so how do you overcome?

I’d say my entire life is a case of writer’s block. The only time I can manage to squeeze any words out of me is when i have a deadline two days away.

Do you ever think of the next book whilst writing?

Yes, sometimes. In Dangerous some of the writing was done at my daughter’s hospital bedside while she fought for her life.I also blogged about it a lot, which the hospital found out about. They then asked me if I’d write a kids book to raise money for the hospital, which is what I’m working on right now.

What do you wear to write?

I’m always completely naked. This stops unnecessary interruptions and intrusions. Believe me, nobody wants to see me naked.

If readers want to get in touch how do they contact you?

The usual places: , , and there’s an email address on my personal website. On Thursday’s you’ll often find me in the Flask in Highgate.

Ian’s new book Dangerous came out on 15 September 2016.

Wow Ian – what an intervew! So many things to think about:

  • I totally agree about typos and our amazing ability to miss them or in my case ignore them! 
  • I love the idea of being in control of the entire universe. 
  • Your learnings are great – especially the one about being honest! 
  • Love your approach to Facebook and Twitter. 
  • So many authors are writing naked nowadays –  feel like I am missing out. Do edit naked as well?

Thanks for a great interview!  

 

dangerous-cover

If you are an author and want to appear on my blog please leave me a message below in the comment box and I will get in contact🙂

photo credit: <a href=”http://www.flickr.com/photos/79577679@N00/5448848999″>the chair in the attic</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”https://creativecommons.org/licenses/by-nc-nd/2.0/”>(license)</a&gt;

Author Interviews @shuchikalra #Writerslife #Writers #Author

Author Interviews-2

Welcome to my Author Interview Blog Series!

This series allows me to interview some amazing and inspirational authors. In the interviews I glean some writing tips from them, find out how they have overcome their literary challenges and most importantly get some valuable insight into their creative life.

This week I am beyond excited as author Shuchi Singh Kalra is sat in my red interview chair. She is a ChickLit author from India, who loves Twitter and describes herself as a ‘free spirit, certified crazy, social awkward cat lady!’ My kind of author – sigh!

Hey, Shuchi! Welcome to my blog!  Please take a seat in my red chair.

Tell my readers about yourself and the book / books you have written

I currently have two books out in the market – both romantic comedies. The first one is ‘Done With Men’, which sounds like a Man-Haters Guide To The Galaxy but isn’t. It’s just a story of a ditzy girl who runs into a series of unfortunate disasters before she finds Mr.Right.

The second one is ‘I am Big. So What?‘ – India’s first plus sized romance. It is a light read but at the same time, touches upon issues of body shaming and self-love.

I like to create strong, zesty female characters that are flawed and yet very endearing. They are ditzy enough to mess up their lives but have it in them to put things back in place.

When did you write your first book?

I started writing ‘Done With Men’ in Jan 2013.

How long did it take to write your first book?

I finished Done With Men in three months flat and I’m still quite smug about it.

‘I am Big. So what?’ took me over a year to write.

What was your motivation to write your first book?

I always had recurrent author dreams of seeing a book with my name on it in a bookstore but I guess I took too long to actually do it. But hell, it’s never too late for anything.

What writing issues did you encounter along the way and how did you overcome them?

Writing a book is actually the easiest part about being an author. The real battle begins when it is time to publish and market your work. I don’t know how it works in the west, but book publishing in India is a rather slow process and by the time a book comes out into the market, an author is very likely to have lost interest in it.

The market for romance is thriving – there are new authors coming in everyday and readers have too much to choose from. This also translates into stiff competition and the need for aggressive marketing and promotion, which can be quite exhausting for an author. Two books down, I am beginning to enjoy it a bit through.

Did you go through any bad writing patches during writing your book – what kept you going?

Oh yes. I run into roadblocks and dead ends more often than I’d like. It helps sometimes to change track. If the story isn’t turning out to be satisfactory, I just scrap it and begin all over again instead of wasting too much time trying to make it work.

It can be disheartening at times to trash all that you’ve written but I always keep my eyes on the larger goal.

Are you a plotter or do you just write / see what happens?

I usually start off with a rough sketch of the story but I don’t plot very extensively. I begin with an idea and let the story take it’s course.

What is the best thing about being a writer?

With every book you write, you get to live so many lives and be so many people. When I write for a character, I have to “become” them in that moment to explore how their mind would work, how they’d respond to a situation and why they are what they are. I find that bit the most thrilling.

What is the worst thing about being a writer?

That you live and work in an isolated bubble and you are the only person responsible to keep yourself driven. Procrastination is practically an epidemic among writers and some days it can be difficult to rap yourself on the knuckles and get some real work done.

Have you ever considered quitting writing, and if so how have you worked through this?

I have had my periods of slumps and stagnation but quitting? Never! I love expressing myself through the written word but there are phases when motivation takes a nosedive. When that happens, I try my hand at something new (by new I obviously mean another form of writing). For example, if I’ve been stuck with a book chapter, I’ll write some poetry for a change. I have found that indulging in other creative activities like crafts etc. also helps considerably.

What does a typical writing day look like for you?

I run a writing firm so I am mostly juggling multiple projects at a time. Book writing is something I do when I can spare time from assignments, although I’d like to transition into full-time authoring eventually. I do most of my writing when my 5 year old daughter is in school or at night after everyone has gone to bed.

Do you suffer from procrastination and if so how do you handle it?

I think procrastination suffers from me. I can be such a slacker at times and I hate myself for it. And that happens only with book writing because when you are writing for businesses, you can’t afford to wait for inspiration to strike you. I keep pushing myself to write SOMETHING every day, even if it just small passage.

A small way forward is still a way forward and always better than stagnation.

Which is more important – plot or characters and why?

I think both those things are equally important. Intricate character development lends credibility to your story and makes it more realistic. It also helps the reader to relate more to your characters. At the same time, you need to keep the reader riveted with an interesting plotline and adequate twists and turns. I think one can’t do without the other.

What have been your 3 biggest learnings during your writing career?

  • It’s going to be slow. Very slow. There’s no such thing as instant gratification.
  • It’s not enough to be a good writer. You have to learn to market yourself well.
  • Don’t count on books for money, at least until you have a few bestsellers out in the market

How do you manage social media as a writer?

I manage it by being addicted to Twitter, which is the absolute wrong way to go about it. I am not a social animal but I’m definitely a social media animal. I love interacting with readers and interesting people online and I must say it has helped my book sales too.

Social media gives you a platform to express yourself as a person, which may motivate people to check out your other writings. I think it’s a great way to come across new opportunities and market your work.

Do you have any tips or advice for budding aspiring authors?

As pleasurable and satisfying as it can be, writing can be sometimes disheartening because the returns are not immediate and competition is high.

The best thing you can do for yourself is to keep trudging along.

Take it one step at a time and don’t jump the gun.

Do you suffer from writer’s block and if so how do you overcome?

When it comes to my professional assignments, I can’t afford writer’s block because there are deadlines to be met and clients to answer to.

However, when it comes to my books, I give myself more leeway to slack. Reading books from the same genre you are writing is the best way to break out of a block. It helps bring your mind into the same zone and you are much more likely to find a trigger for the words to flow.

Do you ever think of the next book whilst writing?

Yes. I’m usually thinking of too many books at the same time. But I try to work on one or at the most, two at a time just for the sake of my sanity.

What do you wear to write?

I work from home so you’ll usually find me in an old tee and a pair of shorts/PJs with my hair pulled up in a bun.

If readers want to get in touch how do they contact you?

I am fairly (okay, insanely) active on Twitter and I connect with most of my readers there. You could also email me for any queries.

Click for my website.

Wow – What a fab interview! 

There were so many things that stuck out for me in this interview:

  • I can really relate to ‘becoming’ a character in order to understand them and this can be exciting!
  • I think this is a great quote with regards procrastination – ‘small way forward is still a way forward and always better than stagnation’.
  • I can relate to being a ‘social media animal’ – love this!
  • Your learning about instant gratification is very true. You almost have to prepare yourself for years of small progress. 
  • The growing Indian romantic fiction market sounds interesting.
  • Your strong, zesty characters with flaws and wobbly bits sound like my chicklit character Roxy Collins. Yay – to these fun characters!

Thank you!

iambigsowhat_9

For more great interviews click here!

If you are an author and would like to be interviewed in my blog please get in touch!

photo credit: <a href=”http://www.flickr.com/photos/79577679@N00/5448848999″>the chair in the attic</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”https://creativecommons.org/licenses/by-nc-nd/2.0/”>(license)</a&gt;