How My Writer’s Block Was Cured By A Life Affirming Moment #MondayBlogs #Writer

If you read my post about writers needing to learn how to heal themselves from creative pain, you will know that I recently experienced an awful strain of Writer’s Block. For weeks I was hard work; I wore a glum face, I stopped working on my second draft, I questioned my creative abilities, I did a lot of moaning and every time I sat down to write I froze.

Then something really odd happened to me. I had a weird moment – which CURED my Writer’s Block – gasp!  It has taken me a few weeks to work up the guts to tell you all about this thing that happened to me.

Before I go any further I need to clear some stuff up. You see, I know my BWM blog readers very well and I know that after reading about this ‘weird moment’ they will have a few questions for me…

When this weird moment occurred I was NOT:

  • Half way through a delightful bottle of Rosé wine.
  • Highly caffeinated.
  • High on sugar.
  • Craving carbs.
  • About to choke on a cheese and chive crisp, coated in a tasty garlic dip. 
  • In the middle of a hormonal fluctuation. 

I was actually in the company of some wonderful writing and blogging friends. We were discussing our respective creative projects. I was sat looking like a bulldog chewing a wasp and hating everything about my half-finished second draft.

Before I go into the weird moment in detail, because I am sure you are all on the edge of your seats, I am just going to quickly fill you in on my creative journey so far. Trust me this will only take a couple of lines!

So, I have written a few stories in my time. Some are published on Wattpad, some have been on my blog and the rest are in folders in the attic, never to be seen again, ever!

I have not gone down the publishing / self publishing route with any of my stories because:

  • I believe writing is an apprenticeship so I have been busy acquiring experience, and
  • I have never felt strongly about any of my stories to go down those routes. Yes I turned the Roxy series into a podcast, but that was more about me enjoying myself after a few gin and tonics strong coffees and learning about how audio can enhance my writing.

Anyway, so there I was in the lowest of creative moods. My half-finished second draft felt like it was dead to me. This is what can happen with Writer’s Block. It really is a terrible ailment. My block was so bad I was on the verge of putting my draft in a folder, in the attic.

One of my writer friends turned to me and suggested I start talking about my half-finished second draft novel. I shrugged, exhaled loudly, rolled my eyes and started talking about my novel, the plot and characters etc.

As I talked about my story, my reasons for writing it and why it used to excite me, I felt something inside my chest.

Something was tugging on my heartstrings. My cheeks started to warm up, heart started to beat faster, I started to tremble and my voice sounded thick with emotion. All my characters from my story rushed into my head and I was overcome with emotion at the sight of them.

I explained how I was feeling to my writer friends and they passed me some tissues. It then hit me – I was having a life affirming moment over my half-finished second draft. Gasp!

My half-finished second draft was not dead to me, in fact it was quite the opposite; alive and well, deep inside me. Once I had taken control of myself I knew that this moment meant something. I have an emotional connection to my second draft and somehow I have to carry on.

I have never experienced anything like this before.

The minute I got home from visiting my writer friends I started to write. Since then I have not stopped either!

Talking about my story made me realise how much I love it and how passionate I am about it. This in turn resulted in a life affirming moment which cleared my Writer’s Block.

If you are troubled by Writer’s Block, try talking about your story and see what happens!

I love this quote from Roald Dahl’s My Uncle Oswald:

“If you are interested in something, no matter what it is, go at it at full speed ahead. Embrace it with both arms, hug it, love it and above all become passionate about it. Lukewarm is no good. Hot is no good either. White hot and passionate is the only thing to be.”

Have a great day!

Photo: Upsplash.

 

 

Author Interviews – Siân Evans #QueenBees #SianEvans #Author

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Welcome to my weekly blog series – Author Interviews.

Every Saturday, here on my blog, I get to interview an amazing and inspirational author over a virtual cup of tea and a virtual biscuit. The author tells me all about their literary journey, the obstacles they have overcome whilst writing their books and their literary motivations. These interviews give me a fascinating glimpse into the writing life of an author and they also give me some valuable writing learnings and tips.

This week I am bubbling with literary excitement because one of my mother’s favourite authors is sat in my red chair. When I informed my mother that I had managed to persuade Siân Evans, author and cultural historian, to be interviewed on my blog,  I had to hold the phone away from my ear. Sigh!

Siân’s latest book Queen Bees, is a story about six extraordinary hostesses who shaped British society in the inter-war years.  This book was devoured by my mother and thoroughly enjoyed by my daughter’s Godmother (who helped me get in touch with Siân). Any author who manages to please these two tough readers is amazing in my eyes.

Queen Bees has received dazzling book review headlines like:

‘ENTERTAINING’ The Times

‘A FASCINATING ACCOUNT’ The Sunday Times

‘GLORIOUSLY GOSSIPY’ Red Magazine

‘ENORMOUS FUN’ Observer

This book is now on my ‘To Be Read’ reading pile and I can’t wait to delve into a world of posh tiaras, glittering social events and society hostesses.

So please welcome Siân Evans! 

Tell my readers all about yourself the books you have written..

I live in suburban south-west London, and home is a 1920s semi, which is stuffed with battered old books and Art Deco ceramics of dubious merit. I’m originally from Cardiff, studied at Manchester Polytechnic then the Royal College of Art in London, then went to Tokyo University for 2 years.

I have always been fascinated by the social and cultural history of the late nineteenth and early twentieth centuries. I started researching the objects of that era through the history of design, then broadened my scope to the culture of the era, and am now particularly interested in the people of the times – so I have gone through the ‘what’, to the ‘how’, and am now interested in the ‘who’ and ‘why’.

I’ve published 14 books so far; the first one, In the Oriental Style, was published by Thames & Hudson in 1991. My most recent books include Life Below Stairs in the Victorian and Edwardian Country House; The Manor Reborn; Pattern Design; and Mrs Ronnie: the Society Hostess who collected Kings. The latest one is Queen Bees: Six Brilliant and Extraordinary Society Hostesses between the Wars, which was published on 8 September 2016 by Two Roads, part of Hodder. It’s a group biography about 3 American and 3 British women, all formidable personalities, who clawed their way to social influence in the Twenties and Thirties.

When did you write your current book? 

I was commissioned to write Queen Bees in December 2014, and it is about 105,000 words long. It’s a complex subject which covers a lot of ground, so the pace of work was pretty demanding. I delivered the manuscript in January 2016, and then over the following 5 months I cleared permissions for quotations etc, gave the text a spot of buffing and polishing, and once we got to proof stage, I compiled the index. A factual book without a decent index is just annoying…

Why did you become a writer? 

I learned to read quite early, and was always a very keen reader, ploughing through anything I could find, from old copies of Punch to the backs of cereal packets. I remember hearing on the news that Enid Blyton had died, and being distraught that the supply of Famous Five books was now about to dry up. I always loved writing stories and essays for school. Then when I was 10, one of my poems was published in Pictorial Knowledge, a rather worthy children’s magazine. I was amazed and thrilled to see my name in print, and still am. So I always wanted to become a writer, although it took me quite some time as an adult to find a way to make it happen, like most authors.

What writing issues did you encounter along the way and how did you overcome them?

It is staggering how the practical business of writing has changed in my lifetime. When I started writing seriously in the mid-1980s, such as freelance articles for magazines etc, the most sophisticated piece of kit generally available to would-be writers was an electric typewriter. I used the money from my first book to buy my first PC (Personal Computer) in 1991; it cost over £1,000 including a printer, and it was slow, cumbersome and not very bright, but I wrote my second book on it, and I thought it was ‘cutting edge’! By comparison, the technology available nowadays to ahttps://www.apple.com/uk/nyone researching and writing is extraordinary – and of course, now there is the internet, which has revolutionised the acquisition and spread of knowledge. My first 3 books were largely researched in person in libraries and archives, a time-consuming process.

Did you go through any bad writing patches and what kept you going?

My first 4 books were researched and written while I was working fulltime in London; mostly as a press officer firstly for the Design Museum, then the V&A and finally the National Trust. So that could be quite demanding – holding down a job, then writing in the evenings and at weekends. But in 2006, the NT moved its head office from London to Swindon, and that decision presented me with one of those life-changing opportunities. I figured that if I didn’t try to make it as a writer, I’d never know. Working on the principle that you most regret the things you didn’t do, I took the redundancy that was on offer to those employees who didn’t want to move to Wiltshire. This allowed me to stay in London, but also bought me time to get established as a writer, and I got by initially role by various freelance jobs. It was a gamble, and I wasn’t sure if I could make a living at it, and I suppose I am still not convinced! But I don’t regret that decision ten years ago for a moment, and feel I was very lucky to have such a chance.

Are you a plotter or a ‘just write / see what happens?”

Both, in a way. I write non-fiction, so I create a synopsis and a proposed structure for each of the books I write, and I get commissioned by publishers to proceed on that basis. So I start off with a ‘scaffold’ around which I build the text, though of course that can change shape as the work progresses.

However, I also constantly doodle around with ideas and themes. Often I start by just hand-writing words, or phrases, or thoughts, or references on sheets of A4, and I shuffle a lot of paper. I collect images, and photos, and make a kind of ‘mood board’ which I find helps the imagination. I also try to listen to music from the era and country that I am writing about…so Duke Ellington, Marlene Dietrich or Noel Coward will be burbling away in the background while I am still at the research stage.

Yes, I am a great believer in ‘just writing and see what happens’…in my experience you have to treat writing a bit like physical exercise, you get creaky if you don’t do it frequently. In a way it doesn’t matter what you write, it could be a damn fine e-mail to an old friend, or a diary, or an account of a conversation overheard on the bus – write it down, and then buff and polish it to be as good as you can make it. It’s all practise.

What is the best thing about being a writer?

The infinite possibilities.

What is the worst thing about being a writer?

The infinite possibilities! Seriously, it can be hard to focus. And of course writing is a largely solitary pursuit, so you have to guard against getting too isolated, and make sure you have a social life too. Over the last 8 weeks I have appeared at 7 literary festivals or events in connection with the launch of Queen Bees. It is ironic that after 18 months of beavering away quietly in libraries, archives and at my kitchen table, I am suddenly entertaining audiences of curious, committed and often avid readers. I’m very happy talking to the public, and I enjoy being interviewed, but it doesn’t suit every author, many of whom tend to be rather more introverted in character.

Have you ever considered quitting?

There is a wonderful Posy Simmonds cartoon which appeared in the Guardian years ago, in which a rumpled-looking, despairing woman in a dressing gown is sitting at a laptop surrounded by discarded sheets of paper, talking to a mild-looking chap with glasses, who is carrying bulging supermarket carrier bags. In the caption, she is saying something like “…and of course, it’s not like anyone is ever going to read the bloody thing….”  We’ve all been there. Yes I have sometimes got totally stuck and fed-up, but then I go off and do something practical like have a swim, or do some savage pruning in the garden. Something happens while you are away from the problem, and you find a way to tackle it differently. Good friends and family are also invaluable when you hit the buffers.

What does a typical writing day look like? 

Depends what stage I am at with a particular project. If I am researching in London, I might be holed up in the wonderful British Library, reading through books or magazines of the era, or transcribing letters etc. I might be in an archive in an unfamiliar place – I had a terrific time ploughing through the Scottish National Brewing Archives records in Glasgow University, a lot more fun than it sounds, and I was fascinated by the Royal Archives in Windsor, where I sat and read the hand-written personal diaries of King George V and Queen Mary. Or I might be ‘in the field’ visiting somewhere relevant to my research, such as a historic house, or an overgrown graveyard, taking photos and making notes.

If I am at the writing stage I sit at my dining table, with a view of the garden, and something instrumental burbling away on the CD player. I read over what I wrote last time, and make a ‘to do’ list, which I never completely finish, but it helps decide what needs doing next. I try to limit looking at phones and e-mails till I have a break for tea or coffee; as much as I love being in contact with friends and family, I could spend all day sending lengthy e-mails or browsing news websites. And then, I get writing. When it is going well, you get what a friend calls ‘that warm bath moment’. If I get stuck, I’ll take a break, as above.

I try to take breaks every 90 minutes or so, to stretch – writing is a sedentary pursuit so you have to look after your back, and it is really important to get physical exercise too, so I often factor in a walk. I tend to work either morning and evening, or afternoon and evening so I can get some time away from whatever I am working on. Of course, when I am up against a deadline I can be working 12 or 14 hours a day, and normal life is suspended. That’s when I turn into the dishevelled lady writer in the Posy Simmonds cartoon…

How do you go about researching your book? 

I still read avidly; most of what I write is historical and factual, so I rely on contemporary accounts, such as diaries and letters, or newspapers and magazines of the time. Increasingly I am coming across sound archives which are helpful too – not only Pathé or BBC recordings, but also ad hoc interviews conducted in the 1970s or 1980s by volunteers quizzing ordinary people who witnessed extraordinary events.

Early film footage and photos are invaluable too – many of these can now be accessed on-line. I try to watch movies from the era, and read the plays and novels that were written around the time. I mentioned collecting images; they not only inform what I am writing, but are useful as a ‘wishlist’ to hand on to picture researchers once the book is almost finished.

I compile 2 bibliographies as I go along – the first lists books or resources I want to read or access, and the second lists those sources once I have used them.

It is helpful to keep accurate records of where you found a particularly juicy quote or a wonderful image – just add the reference below that quote all through the text, and edit it out in the final version. It will save hours of frustration if you need to include that image, or get permission to reproduce the quote in your book.

You have to be wary about copyright issues; you can quote the title of a song or poem without infringing copyright, but beware of quoting from song lyrics or chunks of the poem. If the work is still in copyright, you need to get permission from the copyright owner, and publishers of poetry and song lyrics often charge large sums for reproduction.

What have been your 3 biggest writing learnings?

  • Find a subject, field, theme or person that fascinates you. You will be investing a lot of your time and energy in writing about it or them, so be sure you genuinely want to know more, and that you want to convey what you know to your readers. It may not be easy to write, but it should ultimately be rewarding.
  • Be aware that you might not always like the people you are writing about, but there is also a great deal of fun to be had in writing about villains!
  • There is a reason why publishers impose deadlines – it is so they can rest your manuscript away from you and turn it into a book, which is what they are in business to do. If they don’t snatch the text from your hands, you could spend decades fiddling with a manuscript and never actually deliver. So, meet those deadlines, and don’t forget, they will let you buff and polish it further once they have had a look.

Do you have any advice for budding authors?

  • People love stories. If you can tell a great tale, you will always find a receptive audience, whether you are writing comedy sketches or
  • Follow your hunches; you gradually develop an instinct for a rattling good yarn waiting to be told.
  • Always have a notebook to hand, or a smart phone – it is remarkable what ideas come to you while you are thinking of something else. Keep all your old notebooks and read through them when you have a chance.
  • When you get published, don’t forget to register your book for Public Lending Rights – it is easy to do online, and then every time a library-goer takes out a copy of your book, you will get a small payment, which is sent to you automatically once a year, and can really add up.

Do you suffer from writer’s block and if so how do you overcome?

Occasionally – see above. But I rarely see it as a problem, more as a natural ‘down time’. And I find that being physically active in other ways allows your mind to come up with a solution.

Did you ever think about your next book whilst writing? 

Almost always, as working on one book often triggers my ideas for the next one. I discuss the ideas with my agent, then if she thinks it’s viable I put together a proposal, and she approaches publishers who might be interested in commissioning me.

What do you wear to write? 

In winter, I can get very cold while sitting and writing, so I tend to go for warm and comfortable clothes such as fur-lined boots, stretchy leggings, long jumpers and scarves. Fingerless mittens when it’s really chilly, a hot water-bottle on the lap, rug over the knees, the works. I also have two enormous woolly ‘writing sweaters’, my favourites, hand-knitted by my mum, one of which I will wear on top of whatever else I have on. Summer is easier, whatever is cool and comfortable, though you have to beware of fierce air conditioning in the reading rooms of the British Library, so I usually take a cardigan or big shawl with me, even on hot days.

How can my readers read your books? 

I’m a great believer in public libraries, so would encourage your readers to support their local branches! But you can also find my books ‘in all good bookshops’, as they say, such as the many independents in this country, and of course in the big chains such as Waterstone’s.

Amazon provide a very comprehensive back-catalogue of current publications, e-books and second-hand copies too, and it’s easy to see what titles are available by typing ‘Sian Evans’ into the books section of their website. They also carry reviews by readers as well as press cuttings, which make interesting reading.

Incidentally, Queen Bees is also available as an audio book, and you can hear a sample from it on the relevant Amazon page, read by the excellent actress who plays Linda Snell in The Archers. Perfect casting….and I like to think it’s what those Queen Bees would have wanted.

Siân – what a fabulous interview!  Thank you so much.

Some points that I am taking from this:

  • I bet it was fab seeing your name in print at 10 years of age. That is serious dream making stuff for a 10-year-old!
  • The Posy Simmonds cartoon made me smile. I think I may have muttered something similar tonight whilst wrestling with my second draft. 
  • I need to enjoy myself and write about villains. 
  • I need to invest in some ‘writing sweaters!’
  • It was really interesting to understand the research process of a non fiction author. 
  • I love how you view Writer’s Block as simply ‘natural down time’ and you try to do something practical to get the mind working again. Great tip. 

It has been a pleasure to interview you Siân – thanks🙂

For other amazing author interviews please click here. 

If you would like to be interviewed as part of this popular series please get in touch with me.

These interviews are all about giving something back to the writing community which I think is really important for us all, no matter what we have achieved. 

Have a fabulous day!

photo credit: <a href=”http://www.flickr.com/photos/79577679@N00/5448848999″>the chair in the attic</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”https://creativecommons.org/licenses/by-nc-nd/2.0/”>(license)</a&gt;

Why Your Second Draft Is About Holding On & Letting Go #MondayBlogs #Writers

Second drafts are hard!

The best quote to sum up a second draft is from the film The Matrix (1999).

‘Buckle your seatbelt Dorothy, because Kansas is going bye-bye!’ – Cypher

The second draft changes everything. In some cases it can lead to your first draft becoming unrecognisable.

This is the drafting stage where all hell breaks loose as you change the plot around, ditch characters, rewrite the opening chapter about a thousand times and have many sleepless nights questioning why you are putting yourself through so much literary pain. It is also a passion killer of a draft as you are forced to say goodbye to those heady, fun filled first draft days and get serious – ugh! 

For me, the second draft has been total literary carnage. I am rewriting the first draft of my romance novel and the experience has left me emotional, craving coffee and looking like a shadow of my former self. I didn’t realise writing romance could do this to you. 

In my view, the key to the second draft is all about holding on and letting go. Let me explain…

Holding on:

  • You have to keep telling yourself that you will come out the other side, no matter what!
  • Cling to the belief that the second draft is taking you a step closer to the completed manuscript you are trying to write. Yes it feels tedious writing the damn story again but just keep the image of the completed manuscript in sight. (Try not to tell yourself that there will be other drafts after this one though!) 
  • Hold onto your supportive writer friends and non-writer friends because believe me you WILL need them. When you see them in person hug them tightly (until they start to struggle!) 
  • Cling onto your sanity! I have come close to losing mine on several occasions.
  • Hold onto the reason why you wrote the book. It will keep you going in the dark hours. 

 

Letting go:

  • You have to let go and say farewell to your darling first draft.
  • You have to be brave and let go of any revision fears. You have to hurt your draft.
  • You can let go of grammar because this won’t be the final draft!
  • You can let go of characters who do nothing for you! Go on – be brave and ditch them! 
  • You have to let go of the ‘overnight literary genius’ dream. Chances are you are not a ‘one draft’ wonder. 
  • You have to embrace change and let go of how you thought things would work out in the first draft. I have really struggled with this. Letting go of your original ideas and opening your mind to new approaches in the second draft is SO DIFFICULT.

 If you are currently wrestling with a second draft I feel your pain! Hang in there. 

Have an amazing day! 

Photo: Stocksnap

Author Interviews John W. Howell @HowellWave #Writer #WeekendBlogShare

 

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Welcome to my weekly blog series – Author Interviews. 

I love Saturdays because I get to interview an inspirational author and talk about being a writer. I delve into their writing life, find out about the obstacles they have overcome and their motivations for writing their books. Sometimes we have a giggle and sometimes they leave me speechless (usually mid-biscuit dunk).

Today I am bubbling with literary excitement as author and blogger John W. Howell has agreed to let me interview him. John is the author of the John Cannon Thriller Trilogy and he occasionally pops by my blog. He always makes me smile with his comments so I am really excited to interview him.

Hi John! Welcome to my blog. Please have a seat!

Tell my readers about yourself and the book / books you have written

I was a prisoner of organized commerce for over forty years. I finally broke free and began writing full-time in 2012. Since that time, I have published three books, My GRL, His Revenge and Our Justice which cover the John J. Cannon thriller trilogy. I am putting the final edits on my fourth book titled Circumstances of Childhood.

I did write a complete manuscript several years ago titled Next Door which was so bad it now holds my laundry room door open.

What a great idea for making use of bad drafts!  I could hold quite a few doors open in my house with some of my stinky drafts. Carry on John. 

I live on a barrier island in the Gulf of Mexico off the southern coast of Texas with my wife and spoiled rescue pets.

When did you write your first book?

My first published book My GRL I began in the spring of 2012.

How long did it take to write your first book?

I finished the book in about 120 days. I had about 97,000 words, and the final editing trimmed 5000 out.

What was your motivation to write your first book?

My sister and I were visiting the Aircraft Carrier Lexington moored in Corpus Christi. Our father had served on her as a naval aviator during World War II, and we wanted to see where he served. While standing on the flight deck, I was struck by the fact that the ship was unprotected in any way. It then occurred to me that this symbol of American strength was vulnerable to terrorist attack. When I got home, I started thinking of how to attack the Lexington as well as how to defend her. The story found in My GRL is not about attacking the Lexington, but such a scenario formed the basis for the story which is about an American symbol being attacked.

What writing issues did you encounter along the way and how did you overcome them?

My issues were pretty common for beginning authors. I did not know simple stuff like a manuscript has only one space after a period. On the sophisticated side, I had an idea of a plot but not any practice in timing, character development, and continuity. Finally, I had the worst dialog the world has ever seen. The way I overcame all those things was to read up on proper formatting, story design, character development, and dialog. Then I went to work writing not only the manuscript but also short stories. I made it a point (and still do) to write at least a thousand words a day.

Did you go through any bad writing patches during writing your book – what kept you going?

I did not have any bad patches. In fact, I don’t believe in some of the writer pitfalls like “writer’s block.” I do understand that the brain can become fatigued and when it happens it is a signal for a break. Most of the times when I have become stumped I generally write a short story or take a walk. The change of scene both mentally and physically resolves the problem.

Are you a plotter or do you just write / see what happens?

I write to see what happens. I have a general plot that I put on my iPhone notes section, but then I start the story and see where it goes.

What is the best thing about being a writer?

The best thing about being a writer is the individual accomplishment that comes from doing a great job on a story.

What is the worst thing about being a writer?

The worst part of being a writer is the constant self-doubt regarding the quality of one’s work. Since it is such a solitary vocation, there’s only one person to blame if the book does not meet the standard of good writing.

Have you ever considered quitting writing, and if so how have you worked through this?

I never considered quitting, but I have spent some long sleepless nights contemplating why I ever got into writing in the first place. This self-assessment usually comes just after a book is published. I think it is part of the let-down that occurs once there is no longer an opportunity to change what has been written. It is the realization that all you have to offer is now going to be judged. The only way to overcome these feelings is to trust that the dedication and hard work put into a book will be recognized by those kind enough to read it. (A deep breath helps as well.)

Lovely answer John! I love the bit about trusting the dedication and the hard work. 

What does a typical writing day look like for you?

I get up each morning at 6:45 since my boxers have their routine. Once the dogs are fed and watered, I take a coffee and do e-mails. The next dog event is a walk on the beach and this we do rain or shine. Upon return, I begin my writing for the day. I usually work until lunch at 1:00. After lunch, I finish the e-mails and social media work and any household chores needed. At 4:00 (notice how exact the puppies have me scheduled) the dogs need their afternoon walk. We don’t do beach but do walk to the top of the boardwalk which overlooks the Gulf. After the afternoon walk, it is time shower and then to prepare dinner which I normally do. Post dinner I finalize all the e-mails and social media for the day. My wife and I watch one hour of TV which we have prerecorded. We both then begin reading until it is time to sleep.

Do you suffer from procrastination and if so how do you handle it?

I don’t suffer from procrastination but have had intermittent bouts. I usually have a daily plan on what I want to accomplish and don’t quit until I do what I have planned.

Which is more important – plot or characters and why?

It is difficult to say which is more important but I will go with the radical idea that the characters if properly developed will help with the plot. I have never started a book and had the plot go exactly the way I had planned. I have had characters pretty much give plot ideas as they interact in the book. I don’t think a writer can begin a story without a firm idea of what the plot will be. I do think character design is a matter of evolution rather that strict planning. I guess I would call it a draw between the importance of the plot or characters. My reason is I can’t see one without the other.

What have been your three biggest learnings during your writing career?

  1. First learning – Do not be in a hurry to get published. So many alternatives are available to a writer that being published is or should be the last consideration. If a writer rushes the process, something is going to break.
  2. Second learning – Do not show your novel to anyone until it is finished. Well-meaning folks reading work in process can stifle the work and discourage the writer. Finish the manuscript then let everyone hack it apart if need be. At least it will be finished
  3. Third learning – Do not be too concerned about the quality of your work. Just keep writing and the quality will come.

How do you manage social media as a writer?

I work social media about two hours a day. I have Facebook, LinkedIn, Google Plus, Twitter, and my blog. I try to jump on social media twice a day to keep current

Do you have any tips or advice for budding aspiring authors?

My biggest tip is to keep writing. Any person who wants to be a writer needs to do it every day. The concern should not be how much is written but the fact that something is written every day. I would recommend that budding writers get a blog and start communicating early what they hope to accomplish.

Do you suffer from writer’s block and if so how do you overcome?

Writer’s block is not something that plagues me. If I’m stuck, I do something else until unstuck.

Do you ever think of the next book whilst writing?

All the time. I have at least five books in my head at any one time. I only work on the current one, though. By the time I get around to the next book I have pretty much vetted what the plot structure will look like. I have had occasions where I had a very good idea for the next book, and the current book stole it. It does happen.

What do you wear to write?

I wear board shorts and a t-shirt.

If readers want to get in touch how do they contact you?

E-mail [email protected]

Blog: Fiction Favorites –  Click here. 
Facebook: Click
Twitter: @HowellWave
Authors db 
Google +https://plus.google.com/+JohnHowellAuthor/
Goodreads –https://www.goodreads.com/author/show/7751796.John_W_Howell
Amazon Author’s page – John Howell

Wow John – good interview! I really enjoyed that. 

Some stuff I have taken from this chat today:

  • I love the way the puppies have organised your writing life, this made me smile. 
  • 1000 words a day – I must try this!  I admire your dedication to writing. 
  • Love your learning about not rushing. I am fighting the urge to rush my novel so this learning is useful. 
  • Five books in your head at one time? I think I need to start thinking about more than one book in my head. 
  • Loving your writer outfit!  

Thank you for this wonderful interview John. 

If you would like to take part in my author series please get in touch. 

Next week: Cultural historian Siân Evans comes to sit in my chair to talk about her book ‘Queen Bees’. 

photo credit: <a href=”http://www.flickr.com/photos/79577679@N00/5448848999″>the chair in the attic</a> via <a href=”http://photopin.com”>photopin</a&gt; <a href=”https://creativecommons.org/licenses/by-nc-nd/2.0/”>(license)</a&gt;

 

Useful People Watching Tips For Writers #AmWriting #Writers #Writing

 

I LOVE people watching. It helps if you are either naturally nosey or you were the odd kid at the back of the class, in school, who sat staring at all the popular kids.

Sometimes I don’t think we appreciate how cool it is to be a writer. With ‘must do activities’ such as spying on people life is NEVER dull for us writers!  Choosing to lead a fun-filled creative life was one of the main reasons why I woke up one morning, a few years ago, with a big smile on my face and cried “I am going to become a writer!”  This passion of mine means I get to write nonsense, undertake some interesting Google searches, laugh at my own jokes, talk to imaginary folk and do hours of curtain twitching.

I am sure you can all imagine my excitement when I decided to write a post about all my people watching hints and tips!

So, why does a writer need to people watch? 

  • People watching can add a rich flavour to characters. If a writer is struggling with making characters come to life, I guarantee a spot of people watching will improve things.
  • People watching can get the creative juices flowing, especially if you are studying someone who is interesting or a bit strange.
  • Writers should draw inspiration from real life.
  • People watching can also include another of my favourite pastimes – ear wigging or listening into stranger’s conversations. If you can hold back from joining in with the conversation, this activity will do wonders for your dialogue. It is where you learn that we rarely speak in full sentences.

As I said above this people watching business is a must do activity for writers!

Here are my hints and tips: 

  1. Go prepared for note taking. You need a pencil and at least a couple of empty pages free in your note-book.
  2. Pick a busy location where there are lots of different people to watch. I have found the best places are open plan cafes in shopping centres as you will have lots to view; fellow cafe customers and shoppers to study. Shoppers are really entertaining to watch!
  3. Sip a coffee or tea whilst you do some people watching. It can be thirsty work and being highly caffeinated means you will notice a heck of a lot more.
  4. Don’t make it obvious that you going to be spying on people. Take a book, large headphones and a bag of nuts. Occasionally look up. This will make it look like you are simply taking a quick break from reading whilst listening to some soothing music and nibbling on your nuts. So realistic! Sigh!
  5. Study hair colour, hair style, clothes and….shoes! You can tell so much about a person by their shoes. Clever writers always give you important shoe detail as they know so much stuff can be gleaned from style and condition of shoes.
  6. Study posture and body language. Are they looking defensive, anxious or are they relaxed?  What body language signals are they giving you?
  7. Try to think about whether your person fits a stereotype and why?
  8. Here’s the magic bit – once you have jotted down some key thoughts on their appearance and posture. Then create a back story!  Who are they? What do they do? Are they waiting for someone?  Why are they clutching their handbag so tightly?  Why do they have a strained look on their face?
  9. Once you have mastered individuals upgrade to watching a couple having a coffee. Study their body language. Observe whether they are leaning in towards each other. Ask yourself who holds the power in that relationship and how this is shown? This is so much fun! Again create back story about their relationship and the reason why they are having coffee. Is he telling her that it’s over or is she moaning at him for not picking up his dirty laundry?
  10. Finally finish off with listening to some conversations around you. Take note of how people speak to each other and the little silences present in a conversation. If you are like me it won’t take long for you to get completely carried away with listening into a number of different conversations. This can lead to a wonderful and mind-boggling sonder moment!

‘Sonder is the realisation that everyone random passerby is living a life as vivid and complex as your own—populated with their own ambitions, friends, routines, worries and inherited craziness’ The Dictionary of Obscure Sorrows. 

After all this, stagger home with a notebook full of character fodder, a headache from so much caffeine and a newfound hatred of nuts.

Have a great day spying!!

Why Writers Need to Learn How To Heal Themselves From Emotional Pain #MondayBlogs #Writers

 

A troubling and painful period of Writer’s Block has made me realise how important it is for writers to learn how to heal themselves from emotional pain…and to repeat this process again and again.

This latest episode of Writer’s Block has been distressing and has led to me falling behind with my second draft. In recent weeks I have come so close to walking away from my beloved second draft. Every time I sat down to write nothing happened or if it did things would end quickly in tears. Frustrating and soul-destroying.

However something deep inside stopped me from ditching my story. I knew I had to find a way of healing my creative self or I would be stuck in this tortuous state for the rest of eternity.

Our writing lives are at times joyful and heavenly, but they are also fraught with creative emotional pain and suffering. We go through continual phases of hating our writing, dealing with writer jealousy, working through rejection, failure and feeling a million years away from our writing dreams. The important thing to remember is that all this emotional pain unfortunately goes with the territory of being a writer. It’s all part of the fun.

I am starting to see that literary success comes from learning how to heal yourself after an episode of creative emotional pain. In view of the time I have wasted fretting about my Writer’s Block – the quicker the healing process the better!

If we don’t do something to kickstart the healing process our projects won’t evolve and our dreams will never get fulfilled.

Here are the things I have found useful in healing myself from creative emotional pain:

  1. Talking. Sharing my struggle with some sympathetic writer friends has been invaluable. They helped me get to the root cause of the Writer’s Block (an emotional issue) and work out some coping strategies.
  2. Helping Others. I might be creatively blocked but that has not stopped me reading and reviewing other writer’s books. Acts of creative kindness are good for the soul.
  3. Creative Podcasts. There are some excellent writing related podcasts out there. Listening to other writers talk about how they handled Writer’s Block has been like a mini therapy session for me. I have a post on Useful Podcasts for Writers – click here.
  4. Refilling the creative well. Emotional pain drains the creative well so its important to work on refilling it. This can be done through things like catching up with writer friends, reading different genres, watching different films, shopping, eating out and writing some flash fiction.
  5. Returning to my creative ‘home’. I believe that everyone has a creative home. A creative place where you feel most at ease and comfortable as a writer. When you are troubled, returning to this place can be similar to that wonderful ‘coming home’ feeling you get after a long trip. Mine is writing comedy blog series like The Diary of Roxy Collins and Tina’s Writer’s Diary. I enjoy writing these and I love how the characters cheer me up. So whilst being ‘blocked’ with my novel I have been giving some serious thought to a new blog comedy series. I have a fab idea, some new great new characters and it has made me feel like a writer again. So, I have made a promise to myself that once I finish my second draft my reward will be to run my new blog series.

The hardest thing about being a writer is that when you fall down nobody comes rushing over to pick you up, dust you down, ruffle your hair and put a plaster over your emotional wound. You have to learn to do all this yourself.

I think I am coming out the other side as tonight (Sunday) I have written 1000 words.

Have you had to find ways to heal your creative self?

Have a fabulous day!

Photo: Upsplash.

The Writer’s Flash Fiction Break #SundayBlogShare #FlashFiction

 

For me this has to be one of the most pleasurable writer breaks that I have covered on my blog. It ticks so many of my writer boxes.

If a Writer’s Flash Fiction Break works it can leave a writer feeling energised and creatively perky! 

This kind of writer break can also help refill the creative well, which always seems to run dry whilst a writer is working on their novel. 

There are several stages to this event:

  1. Draft Novel Exhaustion. You have been at the literary coal face for MONTHS! Your second draft has taken far longer than you expected and at times it has felt more like a wrestling match (you versus your draft novel) than a wonderful journey of creative discovery. You know far too much about your characters and after spending an unhealthy amount of time together you daydream about taking a little break from them. You can’t remember the last time you smiled, cracked a joke or wore your favourite knitted jumper with the words ‘Yay I am a writer! plastered across the front of it. As you sit on Twitter, groaning at all the cheerful writers tweeting about how they are #buzzing and #havingaliteraryorgasm over their draft novel, you wonder whether you are the only one suffering with literary exhaustion.
  2. Loved One Pressure. You are tired and your creative well is empty. A few hours ago your word count tailed off and you no longer have the energy to tell your rebellious character to stop doing their own thing. So, what you don’t need during this testing time is for a loved one to comment on how moody, sullen and gloomy you are!  You know that you need to cheer up but, as you explain, its hard to do so when your 42k word second draft makes you feel like quitting writing and putting all your creative energies into hand painting eggshells, with watercress growing out of the top of them. Your loved one gives you an odd look and mumbles something about your painting and seed growing skills, which is not very helpful.
  3. Hope. Things reach breaking point after you stumble across a huge plot hole. You  didn’t see it coming because you were too weary. As you are just about to press delete on your entire second draft, a little voice deep inside you whispers “write some flash fiction, it will sort you out!”  Yes! You need a little break from your draft novel, your characters and a change of literary scene. A brand new story. The thought of writing something short and fresh gives you a little rush of creative excitement. In your head you fantasise about story word length; 1000 words feels too heavy, 100 feels too light but a 500 piece of flash fiction brings an instant smile to your face. Having a brief (500 word) but intense relationship with just one or two characters sends a lovely warm sensation shooting up your spine. They will not have the emotional baggage that your novel characters are carrying. There will be no labouring of the backstory with this piece, a little sprinkling will suffice. You have no idea what the new story will be about, you just know it will do things to you that your 42k word miserable second draft is not doing. The more you think about the fun you are going to have writing this 500 word gem the more your cheeks start to heat up with literary anticipation. Rising quickly from your chair, you disturb your loved one. They take their eye off the sport on TV and ask whether you are heading into the kitchen to make them a cup of tea? No – you are having a ‘Writer’s Flash Fiction’ break! They cast you a puzzled look, mutter something you don’t want to hear and go back to watching the sport on TV.
  4. The Writer’s Flash Fiction Break. You grab a notebook, pencil / pen and a strong coffee. To mix things up a bit you move away from your writing desk and go to a different part of the house or the garden. You sit down and open up your notebook. There is something magical about a blank page, a pencil and a limit of 500 words – especially after MONTHS of dreary novel-writing on a laptop! Ugh! For the Writer’s Flash Fiction Break to really work you have to free your creative mind. You have to give yourself freedom to write a piece of Flash Fiction from ANY genre. Go wild! Be adventurous! Oh my goodness the feeling of having no creative restraints is AMAZING!  Just let go and write. Sit back and see what characters wander into your head. I recently let myself go on a Writer’s Flash Fiction Break and a couple of Victorian grave diggers entered my mind. Bizarre I know!  You close your eyes and let a new story take shape. The thing with a good piece of Flash Fiction is that it can gush out of you, in what can only be described as a huge creative outpouring!  You can’t write fast enough. At 498 words you put down your pencil, breathless and a bit sweaty. It’s finished and you feel ALIVE again! The creative well is filling back up at an astonishing rate.
  5. A New Dawn. After a Writer’s Flash Fiction Break your writing world looks a lot different. You feel energised, bubbly and there is a hint of a smile on your face. It has made you feel like a writer again and given you that wonderful feeling of being able to create and FINISH something. We often lose this when writing a novel. Before you return to your writing desk and to your draft novel, you nip upstairs and grab your knitted writer jumper. As you bound into the room, wearing your ‘Yay I am a writer!’ jumper and a huge smile, your loved one’s jaw drops. They ask you what has led to your sudden change in personality and you will say “Flash Fiction – it always gets me going!”  Whilst they shake their head in disbelief and turn back to the sport on TV (sigh!) you return to your novel with a new sense of vigour and energy. 

So, if you are suffering from draft novel exhaustion take a Writer’s Flash Fiction Break!

Imagine all the literary fun you could have with a mouth-watering 500 word piece of Flash Fiction! 

For noting: this type of Writer Break comes with a few warnings:

  • Flash Fiction can lead to other things. These short and snappy pieces can be quite demanding once written and can urge you to turn them into a novella or even a novel. So watch out! 
  • Don’t let Flash Fiction distract you from your main project. Once it’s written out make sure you put it away to rest. Using flash fiction as a form of procrastination is a literary road I have been down readers! Stay strong with it. 
  • Once you have finished it, ask those new characters to leave your mind. Those pesky Victorian grave diggers of mine are loitering and are causing unrest inside my head. 

I do hope Santa gets me a knitted writer jumper!

Have a fabulous day!

Photo: Stocksnaps

 

Author Interviews Stevyn Colgan @StevynColgan #Author #Writer

Author Interviews-2

Welcome to my weekly blog series – Author Interviews. 

I love Saturdays because I get to hang out with some inspirational authors on my blog. Over a virtual cuppa and a biscuit they tell me all about their writing life, the obstacles they have faced whilst writing and their motivations for doing something amazing like writing a book.

This week I am really excited as Stevyn Colgan is sat in my red chair. Brace yourselves readers because I have one hell of an interview coming up! I have a feeling his answers are going to leave me speechless…

Hey Stevyn! Welcome to my blog, please have a seat..

Tell my readers about yourself and the book / books you have written

Hello! My name is Stevyn Colgan. I’m a beardy and oddly-spelled Cornishman in his mid-50s living on the Buckinghamshire/Oxfordshire border (where they film ‘Midsomer Murders’, worryingly).

I’m an ex-chef, an ex-cop and now I’m a full-time writer. For half of the year I’m one of the ‘elves’ that write the TV show ‘QI’ and its sister show on BBC Radio 4, ‘The Museum of Curiosity’. The other half of the year I’m usually all over the place speaking at events and festivals in the UK, Europe and occasionally further afield. Or I’m working on the next book.

My books in print are: ‘Joined-Up Thinking’ (2008), ‘Henhwedhlow: The Clotted Cream of Cornish Folktales’ (2010), ‘Constable Colgan’s Connectoscope’ (2012), ‘The Third Condiment’ (2014), ‘Colgeroons’ (2015), ‘Why Did the Policeman Cross the Road?’(2016) and ‘Saving Bletchley Park’ (2016), which I co-wrote with Dr Sue Black OBE.

Next year (2017) will see my first novel in print. It’s a farce; a black comedy murder mystery set at a murder mystery festival. It’s called ‘A Murder to Die for’. I’m currently looking for a publisher for the novel after that.

When did you write your first book?

I wrote my first book way back in 1982. It was a typewritten science-fictiony thing and, having re-read it recently, it was pretty awful! But I was only 21 at the time and just learning how to be a writer. Oddly enough, around that same time, I wrote a ‘Doctor Who’ script that was accepted by the BBC so I honestly thought that my future lay in TV or film (even though I was, at that time, working as a police officer). But the script was eventually bumped because the special effects and costumes would have cost too much. Such a shame – Now that ‘Doctor Who’ is so big I’d have been on the convention gravy train forever! I then went on to write a further 17 novels and got better and better but didn’t feel that my work was good enough to submit until this last year or so.

Meanwhile, I’d kind of got railroaded into writing non-fiction. My first published book came out in 2008 and was called ‘Joined-Up Thinking’. I’ve always been a collector of facts and I’m lucky that I have a very good memory so I remember them. It’s why I landed the job at ‘QI’. But a few years ago I started finding connections between things that were surprising … such as the fact that the London Marathon can be connected to the herb fennel by way of the Greek goddess of victory. She’s called Nike – hence the sportswear company adopting it as a name – and her name was shouted by the legendary Phidippides after his epic 26 mile run from the battle of Marathon to Athens. Which is why we call any long endurance run a marathon. And marathon is the Greek word for fennel. See what I mean? The book is full of that kind of stuff as is its sequel ‘Constable Colgan’s Connectoscope’.

How long did it take to write your first book?

‘Joined-Up Thinking’ took me about six months to write and about a month or so to fact-check. These days, it seems to be the case that anything I write takes about six to eight months from first word typed to having a draft that I’m happy to submit to publishers. But that’s just the physical work I’ve writing I’m talking about. I first had the idea for ‘Why Did The Policeman Cross The Road?’ back in 2006 and began gathering research and content for it back then. So it could be said that the book took me 10 years to write. However, the physical writing only took about six months. It was published in May this year.

What was your motivation to write your first book?

Just a desire to share some great and surprising facts and connections. Same as my motivation when writing ‘QI’ I suppose. Who doesn’t love the fact that Bruce Forsyth is older than sliced bread? Or that you could have gone to watch the last public execution in the UK by underground train (tube)?

What writing issues did you encounter along the way and how did you overcome them?

Constant fact-checking was the big issue with my non-fiction books. There is something called the ‘half-life of facts’; a chap called Samuel Arbesman wrote a great book about it a couple of years ago. Facts change constantly as new knowledge becomes available. For example, when I was a kid in the 60s and 70s, dinosaurs were lumbering thickos with brains the size of a walnut and boring grey-green skin. Fifty years of research has revealed them to be the ancestors of birds and, just like birds, they were dynamic and smart and colourful. Many of them had feathers. It was amazing to find out that some facts changed even during the six months I spent writing of the book. And when the paperback edition came out, I had to update even more.

Did you go through any bad writing patches during writing your book – what kept you going?

I’m going be really annoying here (particularly to other writers) and say no. I’m very lucky in that I rarely have writers’ block – if anything reigning the ideas in is more my problem – and I am very driven. I write every single day even if it is just a blog post or a guest blog post. I think it’s important to write every day – like any muscle, the more you use it, the stronger it gets and the better you get at using it. I guess my biggest problem, and something many writers can relate to, is finding time to write. You just have to learn to be very strict with yourself and make time. I don’t play video games, I don’t play sports and I don’t watch a massive amount of TV. Instead, I read and I write; I’ve sacrificed one set of pleasures for another because there aren’t enough hours in the day for them all. And I have managed to find time to write some 25 books – published and unpublished (so far) while holding down a 40 hour working week for 32 years and bringing up three kids (and now making time for two grandkids). It’s all about priorities. Beyond my family and friends, I’ve made writing my priority – it’s that important to me.

Are you a plotter or do you just write / see what happens?

With a non-fiction book, I will think about individual chapters and how they relate to each other; even with non-fiction I like to tell a story with a start and a finish so that the book is easier for the reader to follow and enjoy. For example, with ‘Why did the Policeman cross the Road?’ I was writing a book about how to improve society by re-building communities and by using modern crime science and behavioural economics and there were lots of examples to include. So I added an element of autobiography and the book progresses as my police career progresses so that there’s a distinct timeline from start to finish. I then slotted the examples and anecdotes into the most appropriate places.

With fiction I plot a little more but it is generally no more than a basic outline of the story from start to finish. Much of the ‘magic’ seems to happen as I write. The toughest job a writer has is nailing that first draft to the paper (hard drive?). Getting those 80,,000 words down can be tortuous but it has to be done, one word after another. But once it’s done, you can start the fun part – editing! All of the best things in my books seem to emerge during the editing process and it’s not unusual for me to re-draft a book anything up to 15 times before I’m happy with it.

What is the best thing about being a writer?

The best thing is … being a writer! I get up in the morning and I can’t wait to get started. My first thought – well, maybe second after ‘Bacon and eggs or granola?’ – is ‘What will I write today?’ Writing is my number one passion and doing it gives me more satisfaction than almost anything else.

What is the worst thing about being a writer?

Money! Most of my frustrations are actually with the publishing industry which has become horribly risk-averse in recent years. Sadly, by plumping for safe bets like TV tie-ins, celeb autobiographies and the like, the money for authors’ advances has all but disappeared. Every half a million quid paid to an already stinking rich premiership footballer or pop star is another 25 advances of £20,000 that won’t be made available for struggling authors to live on.

It’s never been easier to get a book published but it’s never been harder for a writer to earn a living wage. Some of your readers might recall this Guardian article last year.

Apparently 60% of Britons say that being a writer is their dream job. And yet most writers don’t even earn the living wage. The most recent figures I’ve seen (2013) suggest that the top 10% of writers earn over 50% of the total income from the industry. Meanwhile, the bottom 50% of authors were those who earned less than £10,500 PA and accounted for just 7% of the amount earned by all writers put together. And 17% of all writers did not earn anything at all during 2013.

It’s why most writers still have a ‘day job’ – mine happens to be ‘QI’, so I’m lucky there, but that only pays me for four months of work. The other eight, I have to do what I can to pay the bills. THAT’s the worst thing about being a writer – feeling undervalued for what you do. But it’s the same in all areas of the arts. Only a few make a decent living from it.

Have you ever considered quitting writing, and if so how have you worked through this?

Never. Even if I never sell another book or article, I can’t imagine that anything would ever stop me writing. It’s what I do. I’ll always write for fun and personal satisfaction whatever happens.

What does a typical writing day look like for you?

I’m pretty disciplined. You have to be because life is so full of distractions (Ooh look! A squirrel in the garden!). I go into my office at 9am and work through to 11am where I have a 20 minute break for tea, Twitter, Facebook etc. Then, I shut the social media down and work through to 1pm where I have an hour for lunch. The afternoon is a repeat of the morning with a break at 4pm for tea and biscuits. Then I work through to 6pm before leaving the office and shutting the door, knowing that I’ve put in a six to seven hour working day. I might doodle in a sketchpad or make notes in the evening while watching TV but the working day is over. Then I’m likely to be in the pub with Mrs C and/or some friends. I take the weekends off, mostly.

That’s an ideal week, mind you. Sometimes I have to go shopping, or fix the garden fence or paint the kitchen … that’s life! but even then, my mind is working on the next plot twist or a particular description of a character all ready for when I can sit down and write. I always have a notebook with me (How does ANYONE work without a notebook! I have shelves of them, all full of ideas!) and the voice recorder on my smartphone is invaluable. I can’t tell you how many great ideas I’ve had while walking the dogs or mowing the lawn. Things change during January to April when I’m five days a week on ‘QI’ and I do most of my personal writing at the weekends … if there’s time.

Do you suffer from procrastination and if so how do you handle it?

Definitely not. I can’t afford to. Like Neil Gaiman says: ‘If you’re only going to write when you’re inspired, you may be a fairly decent poet, but you will never be a novelist — because you’re going to have to make your word count today, and those words aren’t going to wait for you, whether you’re inspired or not. So you have to write when you’re not “inspired.” … And the weird thing is that six months later, or a year later, you’re going to look back and you’re not going to remember which scenes you wrote when you were inspired and which scenes you wrote because they had to be written.’ It’s so true. The process of writing is putting one word after another until you finish that first draft. Nothing writes itself. If you get caught up in procrastination or endless plotting, planning and research, you’ll never be a writer. I just get on with it and don’t agonise over every word; even if I don’t like what I’ve written at the end of the day, there’s always another day to fix it. And I’ll be another 2,000 words closer to a completed first draft.

Which is more important – plot or characters and why?

Both are important, of course. For me personally, the plot just edges into the lead; you can have the most fascinating and well-drawn characters in the world but if the plot is a dog, you’ll lose the reader. Conversely you can get away with less well-defined or original characters if you have a brilliantly thrilling or hilarious or compelling plot. A poor character can detract from the plot and the enjoyment of reading but will almost always be forgiven if you can’t put the book down. Just recently I re-read Douglas Adams’s ‘Hitchhiker’ quintrilogy (?) and it struck me that the main characters of Arthur Dent and Trillian are barely described. We learn what we learn about them solely from what they say and what they do. But the plots are so startlingly inventive and funny and the writing so beautiful that it really doesn’t matter.

What have been your 3 biggest learnings during your writing career?

1. Books don’t write themselves. If you want to be a writer, get on with it. You may never get a book deal. If you don’t it’s their loss. However, you might get a book deal … but only if you write!

2. Do it for you. Write because you love writing. If you don’t love your work why would you expect others to love it?

3. Be proud of the fact that you have done something that 99% of the public will never be able to do. You’ll hear many, many people say to you, ‘I think I’d like to write a book one day’. They won’t. Because they haven’t.

How do you manage social media as a writer?

I switch it off when I’m writing. When I’m not writing I chat to people. Twitter is great for multiple conversations although it has got a little doomy and gloomy of late and the levels of bitchery and trollishness are annoying. I sometimes use social media to crowdsource advice or opinion. I certainly use it when a new book is out. I published my last two books with the award-winning crowdfunded publisher Unbound. http://unbound.com Social media plays a huge part in that process both for pulling in the funding and for promoting the book once it’s published.

Do you have any tips or advice for budding aspiring authors?

1. Get on with it! I’ve always struggled with the idea of ‘aspiring author’. Surely, if you’re driven to write, you write don’t you? If you want to write badly enough, you’ll find the time. All the professional writers I know and have met –and that’s a lot – had to struggle to find time to write. But they all did it because they were driven to write. They needed to write.

2. Grow a thick skin. If you can’t do that, you’ll have a very tough time. If you take the traditional publishing route you’re probably going to face a lot of rejections. But if you believe in your work, you persevere. I’ve got enough rejection slips to wallpaper the downstairs loo but I did eventually get a book deal with Pan Macmillan. And after publication – whether it’s with a traditional publisher or you do it yourself on-line – you’re going to get reviews. Some won’t be complimentary. Don’t be afraid to take criticism but also accept that you can’t please all of the people all of the time and move on. Look at ‘Mrs Brown’s Boys’ – you either love it or hate it. The writers and performers have had to learn to ignore the haters and get on with pleasing the lovers. That’s their audience. You have to learn to do the same.

3. Keep your options open. I got an agent and a book deal with Pan Macmillan for my first book. But that was never going to limit me. My second book was published by a small educational imprint based in Cornwall. I self-published two books – a very odd experimental work of fiction called ‘The Third Condiment’ and a colouring book called ‘Colgeroons’ (I draw too) with Lulu.com. Then I crowdfunded the next four books with Unbound.com. And for the next book, another novel, I’m back working with my agent and traditional publishers again. Don’t be afraid to mix and match your methods of getting out there. No one is going to read your book if it only exists on your computer. But one word of warning – NEVER give up the rights to your work unless you get paid for it. Retain your copyright at all times because that paid contract and that film/TV deal may be just around the corner …

Do you suffer from writer’s block and if so how do you overcome it?

I haven’t yet. Which isn’t bad in 35 years of writing, eight as a professional I guess. Like anyone I’ve had days where the writing has been hard work and nothing seems to go right. But you can feel like that in any profession. Put it away, come back to it with fresh eyes and fix it. Let other people read it whose opinions you trust. I always give my first draft out to a small gang of critical readers before I submit it. They are all friends of mine – some writers, some not – who will always be honest with me. Listen to what they say. Make the changes you think are necessary but write the book that you want to write. And if you do suffer writers’ block – discuss your problem with close friends or other writers; there are countless writers’ groups on Facebook and elsewhere. A problem shared is a problem halved.

Do you ever think of the next book whilst writing?

Always. I almost always have several book projects on the go at once and, although I may spend 95% of the time working on the one I’m currently writing, an idea may pop into my head that doesn’t work in the book but which may work in one of my other projects. During the editing process for ‘A Murder To Die For’, for example, I realised that I had too many police characters so I merged two into one and removed one completely. But she has now become the central character in a different book. Recycling ideas that way is great – nothing is ever lost, only re-used elsewhere.

What do you wear to write?

I’m complete slob! Outside the house I’m usually found in smart shirt, suit jacket and corduroys. But in my office it’s slobbies all the way – a big t-shirt, ‘leisure wear’ with an elasticated waistband and my favourite pair of 20 year old leather sandals. No socks, of course! The other essential is tea. The kettle barely stops boiling. My preferred tipple is black Earl Grey tea, no sugar. Tea is my fuel.

If readers want to get in touch how do they contact you?

They’d be more than welcome to. I’m on Twitter as @stevyncolgan and my Facebook pages are easy to find.

I have a blog at http://colganwrites.blogspot.co.uk/ and all of my books are available from whatever bookshops and/or websites you buy books from.

‘A Murder to Die For’ has now reached 100% of its funding and is going into production for publication next spring. But if you want to pledge on it (and get one of the special limited editions that won’t be in the shops), you can do so here. You’ll also get your name listed in the back as one of the brilliant patrons who helped to make the book happen.

I can also be reached at [email protected]<mailto:[email protected].

Wow Stevyn – I am speechless!  That was one hell of an interview – thank you. 

Here is the stuff I am taking away from this interview:

  • I think we can all learn something from the way you have prioritised writing in your life. I agree finding time to write is one of the hardest things to do. 
  • Your learnings are fab especially the one about how you should be proud of writing a book because 99% of the public won’t do it.
  • I LOVE your tips for budding authors. Yep – we all need to grow that thick skin.
  • Throughout your interview there was this ‘just get on with it!’ vibe coming through. We all need to hear this a lot!
  • I am loving the elasticated waistband and leather sandals writer look. 

Stevyn you have been fab – thanks again!

 

If you would like to take part in my author interview series please get in contact and leave me a message on my blog.

Have a great day!

17 Reasons Why Being a Little Weird is Good #MondayBlogs #MondayMotivation

reasons-why-it-is-good-to-meet

Here at BlondeWriteMore we are celebrating people who are a little bit weird. 

I am definitely in the ‘little bit weird’ camp. For years I worried about it and tried to be normal. After finding myself through blogging and writing I am now embracing my weirdness! 

Here are some reasons why it’s good to be a little bit weird 

  1. A quote from Donna Lynn Hope ‘We are a sea of ordinary people; it is always the quirk, flaw or the ingenuity that stands out.’
  2. Friendships with other people who are also a little weird are the best! Friendships which involve you pretending to be normal can be a little dull.
  3. ‘Being weird adds spice to life. Having weird friends just deepens the flavour!’ Jayelle Cochran
  4. Love this quote from Eileen Anglin – ‘I think what people call ‘weird’ comes part and parcel with people who are brillant in some way. So embrace your weird. Embrace your eccentricity. 
  5. Our weird ways make us interesting.
  6. Being a little weird means you might have some secret abilities; you can silence a group discussion with your odd viewpoint or you might be able to put people off their food with your unusual culinary tastes.
  7. It is such a wonderful moment when you meet someone who is a little weird like you. Love this quote from Fiona Wood ‘we look at each other with shy relief. Its the look two odd socks give each when they recognise each other in the wild.’
  8. As this great article from Forbes says ‘To fit inside the cookie cutter, you have to lob off a part of yourself. It hurts less to just be authentic.’
  9. ‘Weird is the new cool and normal the new boring; Stay weird’ Evy Michaels.
  10. Weird relatives always get remembered so if you want to be talked about by future generations – stay weird! 
  11. Writers who are a little weird write the best books! 
  12. ‘Be yourself because an original is always worth more than a copy’  Suzy Kassem
  13. Being a little bit weird ‘keeps me from getting bored with myself’  Kristy Pellegrin
  14. People who are a little bit weird make the best dancers! Fact! 
  15. ‘The most interesting people are the unusual. No one writes about or discusses the average, the ordinary, or the common; they write about and discuss the weird, the mad and the different, so if you are one, even though the opinions of others are of no importance, you are, in their eyes, significant enough to notice and remember!’  Donna Lynn Hope.
  16. ‘To be CREATIVE, you have to be CRAZY, not because you’re CRAZY or want others to become CRAZY, but because you must be CRAZY, before others become CRAZY for you!’ Michael Bassey Johnson
  17. People who are a little weird make the best obsessed fans. They are so loyal and never give up…sigh!  If you are trying to grow a following make sure you have a few fans who are a little weird! 

I am going to now raise my coffee cup and toast all my blog readers / followers who, like me, are a little bit weird and are ok with that! Cheers..

Have a fantastic day! 

Photo: Upsplash 




Writer’s Intuition #SundayBlogShare #Writer #AmWriting

 

 

When you start using your writer’s intuition, it is like another person joins your literary party.

Before I discovered my writer’s intuition it was just me and my creative muse. Now, I know this will come as a shock to most of you, but my creative muse is very much like me – bat poop crazy!  This is why we get on so well and spend so much time together…in a darkened room. Once I started listening to my writer’s intuition it was like a sensible person had joined our literary party.

There are several stages to discovering the existence of your writer’s intuition and listening to it:

  1. Literary Euphoria. You are experiencing a powerful literary high. Your half-finished draft sounds so good it would make a literary agent’s eyes water and if a publisher read it now they would struggle to contain their excitement. As you sit back in your chair and admire your masterpiece you get a wonderful new idea. Instead of sticking with your original plot plan, maybe you could throw caution to the wind and take your story in a different direction. Yes! This would make it seriously AMAZING. A little voice, from somewhere deep inside you, tries to stop this madness, but it is sadly drowned out by a glorious trumpet fanfare. With an excited squeal you and your creative muse leap into action. All your characters are informed that things are going to change.
  2. Mistaken Identity. A few thousand words later and things are not looking so bright. You are not feeling yourself. Nothing you do seems to shake off this weird sensation in the pit of your stomach. It came on when you decided to completely change the direction of your novel. You put the weird sensation down to a case of ‘dodgy guts’ and ask a loved one for some stomach settlers. Having that take-away meal last night probably wasn’t wise and guzzling down all that wine didn’t help too. The weird sensation in your belly persists. You come to the conclusion it’s fibre related and start bulk buying prunes and dates.
  3. Denial. In a conversation with a close writer friend you explain that you have made drastic changes to your draft novel and coincidently ever since you made these sweeping changes you have been suffering with a severe case of ‘gut rot!’ Your writer friend asks whether the two incidents are related. They are most certainly NOT related. The only thing your gut is trying to tell you is that you need to eat more prunes!
  4. Discovery. Two thousand more words later and you start to wonder whether your gut is trying to tell you something. Gasp! Maybe that weird feeling is connected to this new direction you have taken with your draft?  Cue the return of that little voice which tried to argue with you at the start of this wild goose chase. It told you that taking your story off in a different direction wasn’t a good idea and that you should have carried on with your original plan. You read through the new bits of your draft and you find yourself whispering ‘maybe you had a point!’ 
  5. Hope. The moment you decide to go back and delete the ‘new direction’ stuff the weird sensation in your gut disappears. Gasp! What a relief! This literary experience has taught you that the little voice inside you is your writer’s intuition. It is there to give you guidance and to stop you and your creative muse from going bat poop crazy!  The hard bit is listening to it.

 

In terms of using your writers intuition here are some cool tips:

  • Listen to your inner self when writing. Pay attention to strong hunches, weird sensations, not feeling right about something and on the flip side those odd literary moments where you know you are on the right lines, you can’t explain why, but you know you just have to keep going. 
  • Meditate. It’s tough to start doing but it does force you to be alone with your thoughts. You can’t help but listen to that little inner voice.
  • Don’t make rash creative decisions. I love making rash decisions but I am starting to learn (the hard way) that my original plan was always the best policy.
  • Accept that your writer’s intuition is going to be unpopular. Nine times out of ten neither you or your creative muse will like what your writer’s intuition is saying. Yes it will sound like a literary party pooper but do yourself a favour and listen to it!

 

Let me know whether you rate your writer’s intuition?  Are you using it and more importantly do you listen to it?

Have a great day!

Photo: Upsplash